Keith Mayerson has exhibited work since 1993. His exhibitions are often installations of images that create larger narratives. Each work is imbued with allegorical content that relates to the world, yet allows for the transcendent and sublime through its formal nuances. The works stand on their own for form and content, but experiencing the images in context as a series, like a prose poem of images on walls, the viewer creates the ultimate meaning for the installations.
Mayerson was a Semiotics and Studio Art major at Brown University and received his MFA from University of California, Irvine, in 1993. His work is included in the permanent collections of the Museum of Modern Art, New York, NY; Museum of Contemporary Art, Los Angeles, CA; Los Angles County Museum of Art, Los Angeles, CA; San Francisco Museum of Modern Art, San Franciso, CA; Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; Corcoran Gallery, Washington D.C., and the Whitney Museum of American Art, New York, NY. He lives and works in New York.
b. 1966, Cincinnati, OH
lives and works in New York, NY
EDUCATION
1993 MFA; University of California, Irvine
1988 BA, Semiotics and Studio Art; Brown University; Providence, RI
SOLO EXHIBITIONS
2017
My American Dream: Mystery Train (in loving memory of Daniel Tinker Knapp); Marlborough Contemporary; New York, NY
My American Dream; Museum of Contemporary Art (MOCA); Cleveland, OH
2016
My American Dream: Berlin Edition; weiss berlin; Berlin, Germany
2015
My American Dream; Marlborough Chelsea; New York, NY
Iconoscapes; Freddy Gallery; Baltimore, MD
2014
My American Dream: Frontiersmen; David Shelton Gallery; Houston, TX
My American Dream (prologue); Derek Eller Gallery; New York, NY
2013
My American Dream; Derek Eller Gallery; New York, NY
2012
My American Dream, Solo Booth for Derek Eller Gallery; NADA NYC Art Fair; New York, NY
2011
Art, Life & Fashion; Shaheen Modern & Contemporary Art; Cleveland, OH
Iconscapes: 1995-1999; Knoedler Gallery; New York, NY
2010
My Modern Life; Derek Eller Gallery; New York, NY
Good Leaders, Endangered Species; Broadway Windows, 10th and Broadway (NYU); New York, NY
2009
Souvenirs; The Bakery - Annet Gelink Gallery; Amsterdam, NL
Both Sides Now: A Selection of Drawings 1992-2009; Paul Kasmin Gallery (project room); New York, NY
2008
Good Leaders, Endangered Species, Ships At Sea, Part II; Derek Eller Gallery; New York, NY
Good Leaders, Endangered Species, Ships At Sea; Kim Light / Lightbox; Los Angeles, CA
2007
Friends & Family; Shaheen Modern & Contemporary Art; Cleveland, OH
2006
Kings & Queens; Derek Eller Gallery; New York, NY
Heroes; Gallery Alain Noirhomme; Brussels, BE
2005
Rebel Angels at the End of the World; QED Gallery; Los Angeles, CA
2004
Hamlet 1999; Derek Eller Gallery; New York, NY
2003
Hamlet 1999, Pt. 3; Derek Eller Gallery; New York, NY
2000
Illuminations; The Fifth International; New York, NY
1997
Paintings and Drawings; Jay Gorney Modern Art; New York, NY
1995
Monty’s Dream: The Sleeper in the Valley; Richard Telles Fine Art; Los Angeles, CA
1994
The Marriage of Heaven and Hell!; Richard Telles Fine Art; Los Angeles, CA
1993
Pinocchio the Big Fag; Kiki Gallery; San Francisco, CA
GROUP EXHIBITIONS
2017
Heartbreak Hotel; Invisible-Exports, New York City, NY
Drawing Island; The Journal Gallery; New York City, NY
The Armory Show; Marlborough Contemporary; New York City, NY
2016
Landscapes; Marlborough Chelsea; New York City, NY
Foundation Barbin Presents: Redeux (Sort of); Kai Matsumiya gallery; New York, NY
Intensive Nesting; Galerie Division; Montreal, Canada
2015
America is Hard to See; Whitney Museum of American Art; New York, NY
EAGLES II; Galeria Marlborough Madrid; Madrid, ES
2014
Keith Mayerson and Peter Saul; Robert Blumenthal Gallery; New York, NY
Inaugural Exhibition; Gavlak; Los Angeles, CA
Don't Look Now; Zach Feuer; New York, NY
Whitney Biennial, curated by Stuart Comer; Whitney Museum of American Art; New York, NY
2013
Jew York; Zach Feuer; New York, NY
All F@*#ing Summer; Gavlak Gallery; Palm Beach, FL
2012
All I Want is a Picture of You; Angles Gallery; Los Angeles, CA
Group Shoe, curated by Joe Bradley; Gavin Brown’s Enterprise; New York, NY
Its Always Summer on the Inside, curated by Dan McCarthy; Anton Kern Gallery; New York, NY
B-OUT, curated by Scott Hug; Andrew Edlin Gallery; New York, NY
The End, curated by Michael Buhler-Rose and John Connelly; Vogt Gallery; New York, NY
2011
Keith Mayerson: Horror Hospital Unplugged, Dominic McGill: Extraordinary Popular Delusions and the Madness of Crowds; Derek Eller Gallery; New York, NY
8 Americans (Organized by Hilary Berseth, Joe Bradley, Jacob Cassay, Ann Craven, Francesca DiMattio, Wade Guyton, Keith Mayerson, Dana Schutz), September 2011; Maruani & Noirhomme Gallery; Brussels, BE
Joni; Kathleen Cullen Fine Arts; New York, NY
2010
Ink Plots: The Tradition of the Graphic Novel at SVA; Visual Arts Gallery; New York, NY
The Pencil Show; Foxy Production; New York, NY
Keith Mayerson, Kent Henricksen; Nassau County Museum of Art; Roslyn, NY
Wall to Wall; Daniel Weinberg Gallery; Los Angeles, CA
The Boneyard; Kim Light/Lightbox; Los Angeles, CA
2009
The Never-Ending Story: Fairy Tales, Fantasy, Obsession, curated by Laura Hoptman; Royal/T; Culver City, CA
Out of Order, curated by Scott Hug; Andrew Edlin Gallery; New York, NY
Naked; Paul Kasmin Gallery; New York, NY
The Tree; James Cohan Gallery; Shanghai, CH
New Acquisitions; Cleveland Museum of Art; Cleveland, OH
Figuratively Seeing; Massachusetts College of Art and Design; Boston, MA
2008
Peanut Gallery, curated by Joe Bradley; The Journal Gallery; Brooklyn, NY
THINGS BEHIND THE SUN; PHIL; Los Angeles, CA
Summer Group Exhibition; Derek Eller Gallery; New York, NY
Friends and Family; Anton Kern Gallery; New York, NY
Kiki: The Proof Is In the Pudding; Ratio 3; San Francisco, CA
The Guys We Would Fuck, curated by Nayland Blake; Monya Rowe Gallery; New York, NY
History Keeps Me Awake at Night: A Geneaology of Wojnarowicz; PPOW Gallery; New York, NY
Artist as Publisher; The Center For Book Arts; New York, NY
ambivalent figuration; people; Samson Projects; Boston, MA
a new high in getting low II; John Connelly Presents; New York, NY
2007
Genesis I’m Sorry; Greene Naftali Gallery; New York, NY
Joe Bradley, Ann Craven, Dana Frankfort, Keith Mayerson; Zach Feuer Gallery; New York, NY
2006
Likeness (Portraits from All Angles); Geoffrey Young Gallery; Great Barrington, MA
Summer Group Exhibition; Derek Eller Gallery; New York, NY
How I Finally Accepted Fate, curated by Jason Murison; EFA Gallery; New York, NY
This Name of This Show is Not GAY ART NOW, curated by Jack Pierson; Paul Kasmin Gallery; New York, NY
Salon; Greene Naftali; New York, NY
Inaugural Group Exhibition; Derek Eller Gallery; New York, NY
2005
The Most Splendid Apocalypse, curated by Jason Murison; P.P.O.W; New York, NY
This Hard, Gem-Like Flame, curated by Joseph R. Wolin; Angstrom Gallery; Dallas, TX
On Paper: Drawings from the 1960’s to the Present; Daniel Weinberg Gallery; Los Angeles, CA
2004
Under the Sun; Greener Pastures Contemporary Art; Toronto, Ontario
Rimbaud, curated by Max Henry; I-20; New York, NY
The Sublime is (Still) Now, curated by Joseph R. Wolin; Elizabeth Dee Gallery; New York, NY
Let the Bullshit Run a Marathon, curated by Nate Lowman; Nicole Klagsbrun; New York, NY
2003
K48; Dietch Projects Williamsburg; Brooklyn, NY
Hothouse; Contemporary Floras, curated by Mary Jo Vath; Gallery of Art & Science; New York, NY
You, curated by Lisa Kirk; Royal Modern; New York, NY
A New New York Scene--K48 Teenage Rebel: The Bedroom Show; Gallerie du Jour at Agnes B.; Paris, FR
FIAC art fair, curated by Scott Hug; Paris, FR
Magazin (K48: Do Not Provoke Us); Marres; Maastricht, Holland
Now Playing; D’Amelio Terras Gallery; New York, NY
Drawings; Derek Eller Gallery; New York, NY
2002
Kool Kult; k48, Scope Art Fair; New York, NY
25th Anniversary Selections Exhibition; The Drawing Center; New York, NY
Landscape; Derek Eller Gallery; New York, NY
2001
Refiguring Painting; Los Angeles County Musueum; Los Angeles, CA
Group Exhibition; American Fine Art at P.H.A.G.; New York, NY
2000
Recent Acquisitions; Los Angeles County Museum; Los Angeles, CA
Fore and Aft; ACME; Los Angeles, CA
1999
The Stroke, curated by Ross Bleckner; Exit Art; New York, NY
Young New York Painters, curated by Ross Bleckner; Baldwin Gallery; Aspen, CO
1998
Inaugral Show, curated by Jennifer Bornstein and Chevis Clem; The Fifth International; New York, NY
he swam down, away, curated by Tony Payne; Audiello Fine Art, Inc.; New York, NY
Painting: Now and Forever; Pat Hearn and Matthew Marks Gallery; New York, NY
Codex USA: Works on Paper by American Artists; Entwistle Gallery; London, UK
I Love New York; Edinburgh International Art Festival, Edinburgh College; Edinburgh, Scotland
Bathroom, curated by Wayne Koestenbaum; Thomas Healy Gallery; New York, NY
View 3, curated by Klaus Kertess; Mary Boone Gallery; New York, NY
Francis Alys, Keith Mayerson, Franklin Preston, Hiroshi Sugito; Audiello Fine Art Inc.; New York, NY
More, curated by Tony Payne; XL Gallery; New York, NY
1997
Paintings and Sculpture; Luhring Augustine; New York, NY
Three Painters, curated by Jack Pierson; Musee d’art Contemporain de Bordeaux; FR
1996
The Name of the Place, curated by Laurie Simmons; Casey Caplin Gallery; New York, NY
Young, Dumb, and Fun, curated by David Pagel; University of Las Vegas; NV
The Incredible Power of Cheap Sentiment, curated by Bill Arning; White Columns; New York, NY
Annual Summer Watercolor Exhibition, curated by Tom Woodruff; P.P.O.W; New York, NY
1995
Degenerative Art Show; The Lab; San Francisco, CA
The Moderns, curated by Tony Payne; Feature Gallery; New York, NY
Faggots, curated by Bill Arning; Rojes Foundation, University of Buenos Aires; Buenos Aires, AR
Stretch Out & Wait; Richard Telles Fine Art; Los Angeles, CA
1994
Stonewall 25, curated by Bill Arning; White Columns; New York, NY
Dave’s Not Here Show; Three Day Weekend; Los Angeles, CA
Red Rover; Three Day Weekend; Los Angeles, CA
Tiny Shoes; New Langton Arts; San Francisco, CA
Selections Spring ‘94; The Drawing Center; New York, NY (brochure)
Playfield, curated by Randy Summers; Rio Hondo College; Whittier, CA
1993
Sick Joke; Kiki Gallery; San Francisco, CA
Steve Crique, Keith Mayerson, Tyler Stallings; Richard Telles Fine Art; Los Angeles, CA
BIBLIOGRAPHY
2014
Molesworth, Helen. "Whitney Biennial: Whitney Museum of Art," Artforum, May, pp 310-311.
Viveros-Fauné, Christian. "Why This Year's Whitney Biennial Should Be Seen Through a (Slightly) Rose-Colored Lens: Proceed with Optimism," The Village Voice, March 19.
Saltz, Jerry. "Sapphires in the Mud: There's a smart show buried in this big bland Whitney Biennial," New York Magazine, March 10, pp. 131.
Boatright, Kristen. "Guest Curators Talk 2014 Whintey Biennial," Artinfo, March 10.
Powers, Bill. "The 2014 Whitney Biennial at the Whitney Museum of American Art, New York," purpleDIARY, March 10.
Russeth, Andrew. "The 2014 Whitney Biennial Disappoints, with Misfires, Omissions, Only Glimmers of Greatness," Gallerist, March 6.
Cotter, Holland. One Last Dance in the Old Place: 2014 Whitney Biennial Has New Faces and Interesting Choices," The New York TImes, March 6.
McGarry, Kevin. "Art Matters: The Whitney Biennial's Last Upper East Side Hurrah," The New York Times, T Magazine Online, March 7.
DeFore, John. "2014 Whitney Biennial: Five Hot Artists to Watch," The Hollywood Reporter, March 7.
Matorin, David. "Spring/Break Art Show Brings a Focus on the Personal," Art F CIty, March 7.
"Your Guide to the Artists of the 2014 Whitney Biennial," The Huffington Post, March 6.
Vartanian, Hrag. "2014 Whitney Biennial: Stuart Comer on the Third Floor,"Hyperallergic, March 5.
Zevitas, Steven. "Must See Painting Shows: March 2014," The Huffington Post, March 4.
Halle, Howard, "Review: 2014 Whitney Biennial," TImeOut New York, Thursday, March 6.
Indrisek, Scott. "103 Reasons to Visit the 2014 Whitney Biennial,"BlackBook, March 5.
Vogel, Carol. "State of Our Art, According the Whitney: A Guide to the 2014 Whitney Museum Beinnial," The New York Times, February 28, pp. C21.
2013
Russeth, Andrew. "The Year in, and Beyond, the Galleries," Gallerist, December 19.
Smith, Roberta, “Last Chance: Keith Mayerson, My American Dream,” New York Times, Friday, May 24, pg. C18
Hamer, Katy, “My American Dream,” Keith Mayerson @ Derek Eller, NY, Eyes Towards the Dove (online), Monday, May 20
Bilsborough, Michael, “Northern Lights,” (My American Dream exhibition review), SVA Continuing Education Blog, May 8
McGarry, Kevin, “Sketch Troup,” V Magazine, vol. 83, Summer, 2013, pg. 38
Chang, Stella, “My American Dream Exhibition,” Rambling Masterpiece (online), May.
2012
Penn, Asher, “Keith Mayerson” (Interview), SEX Magazine #2
Kazakina, Katya, “Martha Graham Sets, Older Artists in Westbeth Flooding,” Bloomberg.com, Nov. 3
Russeth, Andrew, “Chelsea Galleries Begin Recovery Work,” Gallerist, NY Observer.com Nov. 1
”We Went to NADA,” Art Fag City, May 8
Belasco, Daniel, “Suturing In: Anne Frank as Conceptual Model for Visual Art,” Anne Frank Unbound: Media/Imagination/Memory, Barbara Kirshenblatt-Gimblett, Jeffrey Shandler, eds. Indiana University Press
”Slideshow, Art from NADA 2012,” Blouin Artinfo, May 8
Herman, Sasha, “NADA New York 2012 Preview,” NY Observer.com, April 30
Miller, Michael H., Rozalia Jovanowitz, Andrew Rosseth “Gallerist’s Frieze Week in Pictures,” NY Observer.com, May 7
D’Agostino, Paul, “Big Art Fairs Swarm NYC This Weekend,” The L Magazine
“Something for NADA,” Art + Auction, May
“Interview with Dan McCarthy” (commissioned catalog interview), “Dan McCarthy,” Suzanne Tarasieve Gallery, Paris
2011
“Portrait of Kevin Kelly,” (commissioned artwork), The Journal, Winter 1999
Bilsborough, Michael, “Unplugged, Rebooted,” School of Visual Arts Continuing Education Blog
Kimball, Whitney, “Horror Hospital Unplugged at Derek Eller Gallery”, Art Fag City.com, October 24
Price, Ada, “Pioneering Graphic Novel, “Horror Hospital Unplugged,” Back in Print, Publishers Weekly, October 11
Fitzpatrick, Colin “Horror Hospital Unplugged,” (book review), Lambda Literary.org, August 22
Butler, Blake, “Dennis Cooper & Keith Maeyrson’s Horror Hospital Unplugged,” HTML Giant.com, July 28
Litt, Steven, “Keith Mayerson paintings in wonderful exhibit at Cleveland’s Shaheen gallery,”
Cleveland Plain Dealer, July 20
Frank, Alex, “Studio Visit: Keith Mayerson,” The FADER.COM, July 7
Frank, Alex, “Dead Again,”, The FADER, June/July, pg. 74
“Keith Mayerson Discusses ‘Iconscapes 1995-1999,” School of Visual Arts Briefs, Summer
Hart, Tom, “Why We Love Keith Mayerson,” Seriously Comics, Summer
Hartinger, Bruce “Horror Hospital Unplugged,” (book review), AfterElton.com, June 27
“Short List,” The New Yorker, May 16
Wei, Tingting, “Interview with Keith Mayerson,” WhiteHot Magazine, May
Wollen, Joseph, “Joni Mitchell,” TimeOut NY, January 28
2010
Smith, Roberta, “Keith Mayerson: My Modern Life,” The New York Times, November 12
Russeth, Andrew “Keith Mayerson, My Modern Life,” ArtInfo.com/Modern Painters, Nov. 4
“The View Master,” The New York Observer.com, Oct. 26
Finch, Charlie, “Eleventh Avenue Ramble,” Artnet.com Magazine, October 25
Saltz, Jerry, “Ask an Art Critic,” Artnet.com, and NYMagazine, “Vulture,” Oct. 18
Wollen, Joe. "Neo-Integrity: Comics Edition," Time Out New York, August 10
Le Hay, Benjamin-Emile, "Artists Nate Lowman and Keith Mayerson Take a Long, Hard Look at Humanity," Black Book Art Review, August 17
Phillips, Brad, "Keith Mayerson," (interview), Hunter and Cook 06, Summer
Saltz, Jerry, "Remembrances of Louise Bourgois's Salons," New York Magazine.com, June 3
"Neo-Integrity at MoCCA," Publisher's Weekly The Beat, March 31
2009
Sokol, Brett, "36 Hours in Cleveland," The New York Times, September 20
"Bang for your Buck," Art + Auction, July-August
Heller, Fran, "Art Museum's New East Wing is a Celebration of Firsts," Cleveland Jewish News, Friday, July 3
Litt, Steven, "Cleveland Museum of Art Displays New Acquisitions in East Wing," The Plain Dealer, Cleveland, OH
Time Out Amsterdam (image and listing), June
Cotter, Holland. "Peanut Gallery," The New York Times, Art Review, Jan 29
2008
"Keith Mayerson," The New Yorker, Galleries - Chelsea, November 10
"History Keeps Me Awake At Night," The New Yorker, Galleries - Chelsea, August 4
Cotter, Holland. "History Keeps Me Awake At Night," The New York Times, July 25
Vogel, Traci. "Time in a Bottle," San Francisco Weekly, July 9-15, Vol. 27, No. 24
Greenfield, Beth. "Body of Influence." Time Out New York, Issue 667, Jul 10-16
"How Haute It Is," Interview, April, p. 130-133 (illus.)
Rosenberg, Karen. "A New High in Getting Low," The New York Times, Mar 7
2007
“Joe Bradley / Ann Craven / Dana Frankfort / Keith Mayerson,” The New Yorker, Galleries - Chelsea, August 20
Cotter, Holland. “When the Curator Is Also an Artist, Go Ahead, Expect Surprises,” The New York Times, August 9
2006
White, Roger, “Keith Mayerson Kings and Queens,” The Brooklyn Rail, Dec 05/Jan 07, Artseen p. 44
Gelber, Eric. “James Reilly and Keith Mayerson,” artcritical.com, December
Wolin, Joseph R., “Keith Mayerson,” Time Out New York, Nov 23-29, p. 99
Gelber, Eric. “Of Groups - and Individuals,” The New York Sun, Nov 16
2005
Knight, Christopher. “Fresh, original voices in L.A.: A deceptive look at a mythic figures,” Los Angeles Times, October 28
Ammirati, Dominic. “Keith Mayerson,” Artforum, February. p. 175
2004
Smith, Roberta. “Keith Mayerson,” The New York Times, December 24
Speers Mears, Emily. “Keith Mayerson,” Artforum.com, December 13
Smith, Roberta. “Rimbaud,” The New York Times, July 30, p. E35
Levin, Kim. “Rimbuad,” The Village Voice, July 28
Johnson, Ken. “The Sublime is (Still) Now,” The New York Times, June 11
Walker, Kelley. “Top Ten,” Artforum, April
Cohen, Michael. “Keith Mayerson,” artUS, April - May
2003
Cotter, Holland. “Keith Mayerson,” The New York Times, December 12
Mmirati, Domenick. “Critic’s Pick: You,” Arforum.com, October
2002
Kannenberg Jr., Gene. “Read All (or Some) About It," X-Tra, Vol. 3,
No. 3, Spring
The Comics Journal, Issue No.242, April, p. 68-69
“Landscape,” Time Out New York, Reviews, February 21, Issue No. 334
Sehorn, Jason, and Keith Mayerson. “Why I Didn’t Rush the End Zone,” (art project), Interview, February, p. 40
2000
Mayerson, Keith. “Icons and Iconography in Technocratic Culture,” Xtra, Vol 3,p. 23-29
1998
Herbert, Martin. “Codex USA,” (Review), Time Out, London, page 51
Rimanelli, David. “Painting Now and Forever,” Listings, The New Yorker, June-July
Duncan, Michael. “Keith Mayerson at Jay Gorney,” Art in America, Reviews, June, p. 107
Johnson, Ken. “View Three,” The New York Times, Reviews, May 1, p. E43
Drenner, Craig. “View Three,“ NY Arts Magazine, May, p. 29
Mayerson, Keith. “Guest Room With a View,” Paper, May, p. 49 (illus.)
James, Merlin. “New York: Recent Painting,” Burlington Magazine, London, February, p. 65-67
Still, Torri. “Filling the Canvas,” Brown Alumni Monthly, January/February, p. 38-43
1997
Schwendener, Martha. “Keith Mayerson,” Time Out New York, Nov. 20-27, p. 47
Mayerson, Keith. "Self Portrait," The New Yorker, Nov. 10, p. 28 (illus.)
Arning, Bill. “Keith Mayerson,” Bomb, November
”Keith Mayerson,” (Interview), Dangerous Drawings, Juno Books, New York
Featured Artist, Honcho, November, p.66-67
Carter, Holland. ““The Name of the Place,” The New York Times, Reviews, Febrary 24
Tom, Karen. “Horror Hospital Unplugged,” Cover, Volume 11, Number 5, p. 59
Hainley, Bruce. “Horror Hospital Unplugged,” Index, May, pg. 79
Marston, Jayson. ““Horror Hospital Unplugged," Drummer, August, vol. 208, p. 49-50
“Horror Hospital Unplugged,” Library Journal, April 1
“Horror Hospital Unplugged,” Attitude, London, March, p. 22
“Cult Fiction,” Gay Times, London, February, p. 69
“Horror Hospital Unplugged," Bay Area Gaurdian, Literature Section, February
1996
Knight, Christopher. ”Review,” Los Angeles Times, April 10, Section F, p. 6
Pagel, David. “Keith Mayerson,” Art Issues, September/October, p. 40
Cooper, Dennis, and Keith Mayerson. Horror Hospital Unplugged, Juno Books, NY
“PW’s Best Books,” Publisher’s Weekly, November 4, P. 57
“Horror Hospital Unplugged,” Publisher’s Weekly, September 23, p. 71
Rimanelli, David. ‘The Young and the Feckless: Keith Mayerson’s comic rock novel,” OUT, October, p. 66
“A Brilliant Chick Parody,” OUT, August
1995
Greene, David A. “Review,” ART & TEXT, January, p. 71
FRAMEWORK, Volume 7, issue 3, p. 23-26 (illus.)
Red Hot + Bothered: The Indie Rock Guide to Dating, Volumes 1 (pp. 11, 21) & Volume 2 (Back Cover) (illustrations), magazine produced by the Red Hot Organization, included with album compilations
Michel, Deborah. “The Himbos are Coming! The Himbos are Coming!” BUZZ, April, p. 59
1994
Relyea, Lane. “Openings: Keith Mayerson,” Artforum, April 1994, p. 92
Helfland, Glen. “Sympathy For the Devil,” San Francisco Weekly, April 6, 1994, Vol. XII, no. 6, p. 19.
Duncan, Michael. “LA Rising,” Art in America, December, p. 72
Myers, Terry R. “On View: Los Angeles,” New Art Examiner, December, p. 36
Pagel, David. “Art Review: Convention Unites with Gay Fantasy,” Los Angeles Times, October 6, p. F4
Mayerson, Keith. “Family Value Cartoons,” Faultline, May, p. 39-43
Saltz, Jerry, “L.A. Rising,” Art & Auction, April, page 88
Atkins, Robert. “Queer For You,” Village Voice, June 28
Bonnetti, David. “Gallery Watch: Give ‘em that ‘ol tired religion,” San Francisco Examiner, April 15, p. D10
Cotter, Holland. “The Joys of Childhood Reexamined,” The New York Times, March 25, p. C30
1993
Bonnetti, David. “A Queer Way To Look At Pinocchio,” San Francisco Examiner, Friday, November, p. E10
Helfland, Glen. “Art,” San Francisco Weekly, November 17, p. 15
Provenzano, Jim. “Pinocchio Queerified,” Bay Area Reporter, vol. XXIII, November 18, section II
1990
Snook, Raven. “Cameo’s: K. Mayerson’s “A Child Is Being Beaten,” The Village Voice, August 7, p. 100
PUBLISHED ARTICLES
2011
“NeoIntegrity: Comics Edition,” (interview with Keith Mayerson, curator, conducted by Peter Halley),
2009
“The Artist’s Artists: Keith Mayerson, Stevie Wonder, Gershin Prize for Popular Song (the White House, Washington DC)” Artforum, December 2009 (best of the year capsule review)
2008
“Jane Freillicher: Recent Paintings,”, Tibor De Nagy Gallery, NY (catalogue essay)
“Kathe Burkhart: The Liz Taylor Series: The First 25 Years, 1982-2007”, Modern Painters, March 2008, (book review)
"How Haute It Is," Interview, April, p. 130-133 (commissioned assignment)
2007
“Annie Lennox,” Interview, Oct. 2007, pg. 155 (commissioned assignment)
2006
“Keith Mayerson on Randy Wray,” BOMB, Spring 2006, Number 95, pgs. 46-47.
2005
Lisa Kirk and Keith Mayerson, “Wake the Sleepers,” ArtUS, May-June, pgs. 16-18
2002
Sehorn, Jason, and Keith Mayerson. “Why I Didn’t Rush the End Zone,” (commissioned assignment), Interview, February, p. 40
2000
“Icons & Iconography in Technocratic Culture: The Sleeping Painting,” Xtra, Spring, Vol. 3, Issue 3, pgs. 23-28.
ARTIST’S BOOKS
1996
Horror Hospital Unplugged, (with Dennis Cooper) JunoBooks/RESearch Publications, New York, N.Y.
1993-94 (republished 2011 by Harper Perennial)
A Patriarchy’s Nightmare
1993
Pinocchio The Big Fag
K
Trying Not to Be A Dick
ARTIST’S VIDEOS
2012
“8 Americans” (interview series with Hilary Berseth, Joe Bradley, Jacob Cassay, Ann Craven, Francesca DiMattio, Wade Guyton, Keith Mayerson, Dana Schutz)
1999
Limp Biscuit
1996
-present A Portrait of Two Artists as Young Men
1995
The Best of Keanu
1994
Trees in the Forest
1993
Get the Knife
1992
Why Do You Keep Doing This to Yourself
PLAYS/SCREENPLAYS
1999
A Child is Being Beaten
1995
Nowhere Fast
1993
Pinocchio the Big Fag
1991
Fags
1988-89
A Child is Being Beaten, BACA DOWNTOWN, New York, NY directed by David Savran and Ron Clark, July-August 1989: THE BOX, Trinity Repertory Company, Providence, RI, March 1989, as a part of “Graduate Play Festival,” Directed by David
Savran and Ron Clark, Leeds Theater and Brown’s Production Workshop. Spring 1988.
TYGER, (Set design only), Leeds Theater, Brown University, Fall
1987
Melonboy (also director and set designer) Production Workshop, Brown University, March, 1988
CURATED EXHIBITIONS
2011
“8 Americans” (Hilary Berseth, Joe Bradley, Jacob Cassay, Ann Craven, Francesca DiMattio, Wade Guyton, Keith Mayerson, Dana Schutz), September 2011, Alain Noirhomme Gallery, Brussels, Belgium
2010
"NeoIntegrity: Comics Edition," Museum of Comic and Cartoon Art, New York, NY
2007
"NeoIntegrity," Derek Eller Gallery, New York, NY
PANELS
2010
“A Conversation with Gary Panter and Peter Saul, moderated by Keith Mayerson,” Thursday, August 19, Museum of Comics and Cartoon Art, New York, NY
“Dash Shaw and Keith Mayerson in Conversation,” Tuesday, May 25, Museum of Comics and Cartoon Art, New York, NY
PUBLIC COLLECTIONS
Whitney Museum of American Art, New York, NY
Museum of Modern Art, New York, NY
Los Angeles Country Museum of Art, Los Angeles, CA
The Museum of Contemporary Art, Los Angeles, CA
San Francisco Museum of Modern Art, San Francisco, CA
The Columbus Museum of Art, Columbus, OH
The Cleveland Museum of Art, Cleveland, OH
Corcoran Gallery of Art, Washington, D.C.
BOARDS
2007-2011
Board of Trustees, Museum of Comics and Cartoon Art, NY
TEACHING
2012
Assistant Professor of Professional Practice in Visual Arts in the Faculty of the Arts, Columbia University
Spring 2012
Adjunct Assistant Professor, Columbia University (MFA, Graduate Student Critique)
Spring 2011
Core Critic, Graduate Painting Program, Yale University School of Art
2008-2011
Adjunct Lecturer, Brooklyn College (MFA, MA, and Undergraduate)
Classes taught: Master Painting (MFA, MA), Graduate Critique Seminar, Painting 3 (Advanced, undergraduate)
1998-99, 2000-2012
Adjunct Instructor, New York University (BFA, MA)
Classes taught: Senior Honors Studio, Senior Integrated Liberal Arts Seminar, Drawing (and Painting) Foundation, Galleries and Museums of New York (for MA and BFA), Graduate Critique,
Advanced Painting, Visual Arts Praxis, Semiotics and Art, individual mentorship’s and independent study
2005-Present
Cartooning Coordinator, School of Visual Arts (Administrative Position, acting as a conduit between Cartooning Faculty and Students and Chair, organizer of Precollege Cartooning Program, Organizer and host of: Illustration and Cartooning Continuing Education Open House, Illustration and Cartooning Professional Portfolio Day, “Fresh Meat: SVA’s Comic Convention”, the SVA booth at comic conventions. Faculty advisor for cartooning club “Cartoon Allies” and “INK!” the cartooning magazine).
1995-99, 2000-Present
Faculty, School of Visual Arts
Classes taught: Senior Portfolio, Junior Thesis, Sophomore Principals, Advanced (Model) Drawing, Senior Series: Anime Wonderland, Drawing, Precollege Cartooning, Continuing Education Advanced Cartooning, Graduate Advisor/Mentor
1999-2000
Adjunct Professor, University of California, Irvine
Classes taught: Contemporary Art History, Advanced Painting, Art and theory seminar
1999
Instructor, “Four Painters Program”, Museum School, Boston
1995
Adjunct Professor, University of California, Irvine (Advanced Painting)