Vincent Valdez is most recognized for his monumental portrayal of the contemporary figure. His drawn and painted subjects remark on a universal struggle within various socio-political arenas and eras. “My aim is to incite public remembrance and to impede distorted realities that I witness, like the social amnesia that surrounds me,” states Valdez.
Exhibitions and collections include Ford Foundation, New York, NY; Los Angeles County Museum of Art, Los Angeles, CA; Blanton Museum of Art, Austin, TX; Museum of Fine Arts, Houston; Smithsonian Museum of American Art and National Portrait Gallery, Washington, DC; among others.
Valdez was born in 1977 in San Antonio. He received a full scholarship to the Rhode Island School of Design, earning his BFA in 2000. A recipient of the Joan Mitchell Foundation Grant for Painters and Sculptors (2016), as well as residencies at the Skowhegan School of Painting (2005), the Vermont Studio Center (2011) and the Kunstlerhaus Bethania Berlin Residency (2014) and Joan Mitchell Center (2018), Valdez currently lives and works in Houston.
American, b. 1977
Lives and works in Houston
EDUCATION
2000
BFA; The Rhode Island School of Design; Providence, RI
SELECTED SOLO EXHIBITIONS
2025
Just a Dream..., Massachusetts Museum of Contemporary Art (MASS MoCA), curated by Denise Markonish; North Adams, MA
2024
Just a Dream..., Contemporary Arts Museum Houston; curated by Patricia Restrepo; Houston, TX
2023
Vincent Valdez & Ry Cooder: El Chavez Ravine; Los Angeles County Museum of Art; Los Angeles, CA
The Slaughterhouse Five Drawings; The Drawing Center; New York, NY
Undercurrents/ Texas Artist of the Year; Art League Houston, TX, traveling to Artpace
(2024), San Antonio, TX
2022
Land of the Free: En Memoria (In Memory); Mana Contemporary; Jersey City, NJ
2019
It Was Never Yours; Matthew Brown Los Angeles; Los Angeles, CA
2018
Dream Baby Dream, The Beginning is Near (Part II); David Shelton Gallery; Houston, TX
The City; Blanton Museum of Art; University of Texas at Austin; Austin, TX
2016
The Beginning Is Near (Part I); David Shelton Gallery; Houston, TX
2015
Till Then; Window into Houston; Blaffer Art Museum; Houston, TX
2013
The Strangest Fruit; curated by Ian Alden Russell (traveling), David Winton Bell Gallery, Brown University, Providence, RI (2013); Artpace, San Antonio, TX (2014); Staniar Gallery, Washington and Lee University, Lexington, VA (2015) - catalogue
2012-2013
America’s Finest: Recent Works by Vincent Valdez; McNay Art Museum; San Antonio, TX - catalog
2011
America’s Finest; Texas Contemporary; David Shelton Gallery; Houston, TX
2010
Flashback; Southwest School of Art; San Antonio, TX
Stations; Mesa Contemporary Arts Center; Mesa, AZ
2009
Burn; Federal Art Projects; Los Angeles, CA
El Chavez Ravine: Ry Cooder and Vincent Valdez; San Antonio Museum of Art; San Antonio, TX - catalog
2008
Without End; Gallery at UTA, University of Texas at Arlington; Arlington, TX
2007
Pride of the Southside; Museo Alameda Smithsonian, San Antonio, TX; O’Kane Gallery, University of Houston, Houston, TX
Winner’s Circle; Western Project; Los Angeles, CA
2005-2006
Stations; Snite Museum of Art, University of Notre Dame; South Bend, IN; Texas A&M International University, Laredo, TX; Richard E. Peeler Art Center, DePaul University, Greencastle, IN; Islander Art Gallery, Texas A&M University, Corpus Christi, TX
2004
Stations; McNay Art Museum; San Antonio, TX - catalog
2002
Made Men; Finesilver Gallery; San Antonio, TX
Two to Watch: Vincent Valdez & Oscar Casares; Artpace; San Antonio, TX
Mix! Series: Vincent Valdez; Dallas Contemporary; Dallas, TX
SELECTED GROUP EXHIBITIONS
2019
Charles White & the Legacy of the Figure; Christian Green Gallery, The University of Texas at Austin; Austin, TX
Between Play and Grief: Selections from the Permanent Collection, Museum of Fine Arts, Houston; Houston, TX
Suffering from Realness; curated by Denise Markonish; MASS MoCA; North Adams, MA (catalog)
2018
Occupying the Third Space: Representations of Cultural Hybridity and Identity in the Southwest; Kansas City Art Institute; Kansas City, MO
WE THE PEOPLE. Contemporary American Figurative Art; Mesa Arts Center; Mesa, AZ
Texas; curated by Matthew Brown; Philip Martin Gallery; Los Angeles, CA
Los Tejanos: Chicano Art from the Collection of Cheech Marin; Art Museum of South Texas, Corpus Christi, TX
2017
Barrio Logos: Displacement and Vanishing Iconography; curated by Oscar Magallanes in conjunction with Pacific Standard Time: LA/LA; Residency Art Gallery; Inglewood, CA
From Out Under; curated by Matthew Brown and Lucian Smith; Appointment Only; Los Angeles, CA
Home – So Different, So Appealing; Los Angeles County Museum of Art; Los Angeles, CA (2017); Museum of Fine Arts, Houston, Houston, TX (2017 - 2018)
The Face of Battle: Americans at War, 9/11 to Now; National Portrait Gallery; Washington D.C.
State of the Art: Discovering American Art Now; Frist Art Museum, Nashville, TN
2016
Tastemakers & Earthshakers: Notes from Los Angeles, 1943 – 2016; Vincent Price Art Museum, East Los Angeles College; Monterey Park, CA
Northern Triangle; Threewalls, Chicago, IL (2016); Staniar Gallery, Washington and Lee University, Lexington, VA (2017); Blue Star Contemporary, San Antonio, TX (2018)
Contemporary Portraiture; Gallery at UTA, University of Texas at Arlington; Arlington, TX
2015
American Art: It's Complicated; Minnesota Museum of American Art; St. Paul, MN
Hidden Histories in Latin American Art; Phoenix Art Museum; Phoenix, AZ
Back from Berlin; Blue Star Contemporary; San Antonio, TX
2014
State of the Art: Discovering American Art Now; Crystal Bridges Museum of American Art; Bentonville, AR
Parallel Myths; David Shelton Gallery; Houston, TX
Estampas de La Raza: Prints for the People; The Romo Collection; North Carolina Museum of Art; Raleigh, NC
2013
Face to Face: Artists’ Self Portraits from the Jackye and Curtis Finch Collection; Arkansas Arts Center; Little Rock, AR
Legend Tripping; Masters & Pelavin; New York, NY
Changing Perceptions of the Western Landscape; The Albuquerque Museum of Art; Albuquerque, NM
2012
Prelude; David Shelton Gallery; Houston, TX
Pride, Protest & Plains; Red Arrow Contemporary; Dallas, TX
ICONS: RISD; Woods-Gerry Gallery, Rhode Island School of Design; Providence, RI
Represent LA; Vincent Price Art Museum, East Los Angeles College; Monterey Park, CA
2011
Silver: 25th Anniversary Exhibition; Gallery at UTA, University of Texas at Arlington; Arlington, TX
Arte Tejano: de Campos, Barrios y Fronteras; Fundacion Osde; Buenos Aires, BR
Muertes; National Museum of Mexican Art; Chicago, IL
Works on Paper; David Shelton Gallery; San Antonio, TX
2010
Roadshow: Houston; David Shelton Gallery at Inman Annex; Houston, TX
Foretopia; David Shelton Gallery; San Antonio, TX
El Grito: The Cry for Independence; University of Arkansas; Little Rock, AK
2009
Western Project: The First Six Years; Western Project; Los Angeles, CA
West/Southwest, Albuquerque—Los Angeles Exchange; 516 Arts, Albuquerque, NM; LA Art Core, Los Angeles, CA
2008
Angelenos: Painters of Los Angeles; Los Angeles County Museum of Art; Los Angeles, CA
American Realism; Fort Wayne Museum of Art; Fort Wayne, IN
In The Land Of Retinal Delights: The Juxtapose Factor; Laguna Art Museum; Laguna Beach, CA
Beyond the Border; National Museum of Mexican Art; Chicago, IL
2007
La Vida Lowrider: Cruising in the City Of Angels; Petersen Automotive Museum; Los Angeles, CA
The Sirens’ Song: Contemporary Narrative Painting; Arthouse at the Jones Center; Austin, TX
2006
Swallow Harder; Frye Art Museum; Seattle, WA
Drawing Conclusions on the Wall; Chapman University; Orange County, CA
2005
Latitud; Te Whare Whananga O Awanuiarangi; Whakatane, NZ
2004
A Timeless Montage of Conflict and Being; Parsons New School of Design; Paris, FR
From The Collection of Joe A. Diaz; Art Museum of South Texas, Corpus Christi, TX; National Hispanic Research Center, Albuquerque, NM; San Jose Museum of Art, San Jose, CA; National Museum of Mexican Art, Chicago, IL
2003
Likeness and Presence; Self Help Graphics; Los Angeles, CA
Treinta: 30 Years of Chicano Printmaking and Justice; Self Help Graphics; Los Angeles, CA
Larger Than Life; The Leisure Club Mogadishni; Copenhagen, DK
2002
Chicano Visions: American Painters on the Verge; from the Collection of Cheech Marin; San Antonio Museum of Art, San Antonio, TX; National Museum of Mexican Art, Chicago, IL; Weisman Museum of Art, University of Minnesota, Minneapolis, MN; Smithsonian Museum, Art and Industries Building, Washington, DC; Museum of Contemporary Art San Diego, La Jolla, CA; Los Angeles County Museum of Art, Los Angeles, CA; O’Kane Gallery, University of Houston, Houston, TX
Contemporary Drawing in Texas; McNay Art Museum; San Antonio, TX
17th Annual New American Talent; Arthouse at the Jones Center; Austin, TX
Contemporary Figurative Works on Paper; Blue Star Arts Center; San Antonio, TX
The Power of Place; Finesilver Gallery; San Antonio, TX
RESIDENCIES
2020
NXTHVN Studio Fellowship, New Haven, CT
2018
Joan Mitchell Center (AIR), New Orleans, LA
2014
Kunstlerhaus Bethanien, Blue Star Contemporary Berlin Residency, Berlin, DE
2011
Vermont Studio Center, Johnson, VT
2005
Skowhegan School of Painting and Sculpture, Madison, ME
2003
SALA: SA Meets LA Exchange Program, Los Angeles, CA
GRANTS AND AWARDS
2019
Artadia Awardee, Houston, TX
2015
Joan Mitchell Foundation Grant, Painters and Sculptors Program
Texas Commission on the Arts, State Visual Artist
2006
Artist Foundation of San Antonio, Visual Art Grant
2005
Artpace Travel Grant; Skowhegan School of Painting and Sculpture; Skowhegan, ME
SELECTED COLLECTIONS
Ford Foundation
Los Angeles County Museum of Art
Smithsonian National Museum of Art
Museum of Fine Arts, Houston
Blanton Museum of Art
David Winton Bell Gallery/Brown University
El Paso Museum of Art
McNay Art Museum
San Antonio Museum of Art
Linda Pace Foundation
Arkansas Arts Center
National Museum of Mexican Art
Frye Museum of Art
Snite Museum of Art, University of Notre Dame
University of Houston, Public Art Collection
SELECTED BIBLIOGRAPHY
2019
Osberg, Annabel. Vincent Valdez, Artillery. November 5
Blay, Christopher, How Many Guns Do We Have? A Lot, Glasstire. August 5
2018
“Why I became an honorary member of the Ku Klux Klan, and what I did with the membership card”; Dallas Morning News; David Liever; September 14
“’Vincent Valdez: The City’ at the Blanton”; The Austin Chronicle; Melany Jean; September 13
“Vincent Valdez, The People’s Champion”; Texas Monthly; Michael Agresta; September
“Painting Beyond Black and White: Vincent Valdez’s ‘The City’”; A Gathering of the Tribes; Barbara Purcell; August 14
“Revisiting Vincent Valdez’s ‘The City’”; Paint This Desert; Andrea Lepage; August 2
Interview, RadioLive; Auckland, NZ; July 27
“Texas Museum Deliberates How to Display a Mural About Hate Crimes Against Latinos”; Hyperallergic; Jasmine Weber; July 27
Interview, Deutschlandfunk Kultur, Berlin; July 26
“What’s ‘Offensive Art? The Answer isn’t Black and White”; WBUR Boston: Commentary; Julie Wittes Schlack; July 26
“Artist Vincent Valdez Made a Painting So Provocative This Texas Museum Waited a Year to Unveil It”; Artnet; Sarah Cascone; July 23
“Klan painting may not shock. But it forces a reckoning”; Austin American-Statesman, Opinion; Bridget Grumet; July 19
“How a painting of the Ku Klux Klan is causing a stir in Texas”; The Guardian; Jake Nevins; July 18
“Texas museum Mounts 30-fool Portrait of Today’s KKK. Can it Avoid Controversy?”; Artsy; Alina Cohen; July 18
“30-Foot Painting of the KKK Puts a Museum to the Test”; New York Times; Michael Hardy; July 16
2017
"When War Hits Home"; National Portrait Gallery; Taína Caragol; Apr. 11
"The Year of The Heavy Moon. Seeking Joy in a Time of Despair"; Oxford American, A Magazine of the South; Michelle García; Apr. 25
2016
"Under the Hood"; Houston CityBook; Daniel Renfrow; Oct. 21
"The Beginning is Near (Part I): Vincent Valdez at David Shelton Gallery"; not that but this: arts and culture webzine (NTBT); Theresa Escobedo; Oct. 16
"New Painting by Vincent Valdez Shows Haunting Scene at David Shelton Gallery"; Houston Press; Susie Tommaney, Sept. 14
"Artist Vincent Valdez Paints The Ku Klux Klan In 'The City'"; Texas Public Radio; David Martin Davies; Sept. 8
"San Antonio painter Vincent Valdez unveils a monumental work on the persistence of white supremacy"; Texas Observer; Michael Agresta; Sept. 6
An All-American Family Portrait, in White; New York Times; Lawrence Downes; Mar 6
2015
"If Trees Could Talk"; Huffington Post; Eduardo Diaz; May 14
2014
"The Strangest Fruit: Vincent Valdez at David Shelton"; Glasstire; Betsy Huete; July 11
2008
"El Chavez Ravine"; Lowrider Magazine (Raza Report); Jessica Logez; April
2007
"Drive to Distraction"; Los Angeles Times; Lynell George; Sept. 16
"Out of the Shadows"; Ciudad Magazine; Oscar Garza; Sept.
"Vincent Valdez Paints the Soul of Those Who Live in Uncertain Times"; Juxtapoz Magazine; Michael Knowlton; April
2006
"Battle of Chavez Ravine; LA Weekly; Daniel Hernandez; April 21