Stephen Lapthisophon is an artist and educator working in the field of conceptual art, critical theory and disability studies. His early work combined poetry, performance, sound art and visual art with postmodern philosophical concerns. He was influenced by the legacy of the Situationists, who sought to make everyday life a focus of artistic activity. In 1994 he suffered a major deterioration of his vision and became legally blind. His subsequent work as an installation artist, graphic artist, art theorist and sound artist has been marked by this experience. Much of his work comments on, and seeks to redress, the over-emphasis on the sense of sight in aesthetic culture. Lapthisophon incorporates everyday objects as a means of breaking down the barriers between his art and daily life. His mixed media works combine text and letterforms to create poetic improvisations inspired by and referring to deeply buried literary sources.
Lapthisophon received his MFA from the School of the Art Institute of Chicago in 1979 and a BFA from the University of Texas at Austin. He also studied Comparative Literature and Theory at Northwestern University in Evanston, IL. He has exhibited extensively across the United States, including recent exhibitions at Nasher Sculpture Garden and Goss Michael Foundation in Dallas, and in a solo exhibition at the Dallas Museum of Art in 2013/2014. He has been included in international exhibitions in Sweden, Germany, Spain, France and the UK. He currently teaches art and art history at the University of Texas at Arlington. He has been the recipient of several grants and residencies. Lapthisophon is also represented by Conduit Gallery in Dallas.
lives and works in Dallas, TX
EDUCATION
1989 Northwestern University, Comparative Literature and Theory; Evanston, IL
1979 MFA, School of the Art Institute of Chicago; Chicago, IL
1977 BFA, University of Texas at Austin; Austin, TX
SELECTED SOLO EXHIBITIONS AND INSTALLATIONS
2016
Toccare (Non) Toccare; Nasher Gallery Lab, Nasher Sculpture Center; Dallas, TX
coffee, seasonal fruit, spaghetti and rope; David Shelton Gallery; Houston, TX
2015
Seven; Conduit Gallery; Dallas, TX
2014
“Flowers and Numbers” installation; Longhouse Projects; New York, NY
Twelve Drawings; Goss Michael Foundation (Dallas Biennial 14); Dallas, TX
“Ghost Nature” La Box; Ecole Nationale Superieure D’Art; Bourges, FR
2013
coffee, seasonal fruit, root vegetables and “Selected Poems” Concentrations 56; Dallas Museum of Art; Dallas, TX
Tautology; Actual Size; Los Angeles, CA
Aroma; Elephant; Los Angeles, CA
Zimmerplatz; Deep Ellum Windows; Dallas, TX
Self-Destruction; Richland College; Dallas, TX
Self-Deception; The Cube; Roswell, NM
Sphere; Conduit Gallery; Dallas, TX
2012
Isolation; A Slender Gamut; New York, NY
Offal; Oliver Francis Gallery; Dallas, TX
Distinction; El Centro College; Dallas, TX
2011
Autumn Almanac; Free Museum of Dallas, SMU; Dallas, TX
On the Nature of the Deictic (Why I Write Such Good Books), "Love Come Down" site specific installation; warehouse; Dallas, TX
Spelling Lesson; Conduit Gallery; Dallas, TX
The Construction of a National Identity; Hyde Park Art Center; Chicago, IL
2010
Photographs in situ—and seasonal fruit; Eastfield College; Mesquite, TX
2009
Las palabras en la sombra de esta fecha´; El Escaparate; Barcelona, ES
Utilitas, Venustas, Firmitas/“I wish it would rain”; CADD Art Lab; Dallas, TX
Six Years Later; Unit B Gallery; San Antonio, TX
Slow; Conduit Gallery; Dallas, TX
2008
DESIGN; Zagreus Projekt; Berlin, DE
Refusal (for Crazy Legs); Mountain View College; Dallas, TX
2007
Writing Art Cinema 1977-2007; Conduit Gallery; Dallas, TX
Sign Language; Corbett vs. Dempsey Gallery; Chicago, IL
Marinetti’s Heart; nu art series; St. Louis, MO
The Sound of Music; Audible Gallery, Experimental Sound Studio; Chicago, IL
2006
My Task; Kunstverein INGAN; Berlin, DE
Far Off Places; Barrow & Juarez Gallery; Milwaukee, WI
2005
My Heritage My Tradition My Voice; artist in residence project; Museum of Contemporary Art; Chicago, IL
Strategy; Conduit Gallery; Dallas, TX
Plan for the Future; IR Gallery; Dallas, TX
“so many bewildering and obscure processes…”; McKinney Avenue Contemporary; Dallas, TX
2004
Amanuensis (I Hear a Symphony); Gahlberg Gallery, College of DuPage; Glen Elyn, IL
Walk on By; open studio project; City of Chicago Department of Cultural Affairs; Chicago, IL
Was it for this?; sound installation; Lincoln Park Conservatory; Chicago, IL
2003
Static; Conduit Gallery; Dallas, TX
2002
With Reasonable Accommodation; Gallery 400, University of Illinois; Chicago, IL
Les coups de l’histoire; University of Texas at Dallas; Dallas, TX
2000
Defense D'afficher; TBA Exhibition Space; Chicago, IL
SELECTED GROUP EXHIBITIONS
2015
Subject Matter, with Cheryl Donegan; David Shelton Gallery; Houston, TX
2014
“Ghost Nature” Gallery 400, University of Illinois Chicago; Chicago, IL
“For David Tudor” video and sound; Koncertkirken; Copenhagen, DK
Sound Art/ Video Festival; Rostrum; Malmo, SE
2013
Bescher Trienniaal; Berlin Glass; Berlin, DE
Baker’s Dozen; Torrance Art Museum; Torrance, CA
Loose Cooperation; Deep Ellum Windows; Dallas, TX
Food; Eastfield College; Mesquite, TX
2012
Variations on Theme: Contemporary Art 1950s–Present; Dallas Museum of Art; Dallas, TX
Sonic Architectonic; The University of Texas at Dallas; Richardson, TX
Big and Bright; Southwestern College; Chula Vista, CA
Field Static; CoProsperity Sphere; Chicago, IL
2011
Division Leap, artist book and exhibition; Adam & Kate Davis Booksellers; Portland, OR
Archival Impulse; Gallery 400, University of Illinois; Chicago, IL
Cafe; SHOWStudio; London, UK
2007
form/emptiness; and/or Gallery; Dallas, TX
A Way With Words; Galveston Arts Center; Galveston, TX
2006
Teenage Fan Club; Janette Kennedy Gallery; Dallas, TX
Also Serve, Only Stand and Wait; part of “Humans Being: Disability in Contemporary Art,” Chicago Cultural Center; Chicago, IL
2005
Ghost Writing; part of “Durand Amorphous Solid,” Lake Forest College; Lake Forest, IL
Drawing as Alterity; Forum Gallery; Brookhaven School of the Arts; Dallas, TX
Conspicuous Production; McKinney Avenue Contemporary; Dallas, TX
Material Support; University of Texas at Dallas; Richardson, TX
2004
Uncovered: Recent Acquisitions from the MCA Artists' Books Collection; Museum of Contemporary Art; Chicago, IL
Derive; sound art piece commissioned by the City of Chicago for the opening of Millennium Park; Chicago, IL
The Stray Show; Gallery 400; Art Chicago; Chicago, IL Sound Art Festival; Institute for Contemporary Art Overgaden; Copenhagen, DK
Disintegration Effect, “Good and Bad Things Come from Explosions,” part of Performing Art Chicago; Athanaeum Theater; Chicago, IL
Anonymity, “sound canopy” public sound installation sponsored by the Hyde Park Art Center; Chicago, IL
Constructions: design & architecture; Dallas Center for Contemporary Art; Dallas, TX
Fine Words Butter No Cabbage; 26th Anniversary Exhibition; WhiteWalls; Hyde Park Art Center; Chicago, IL
2003
Autumn Almanac; Unit B Gallery; Chicago, IL
Urbs in Horto; radio broadcast; Columbus Park; Chicago, IL
City Views; McKinney Avenue Contemporary; Dallas, TX
2002
The Art Council Award Exhibition; Gallery 312; Chicago, IL
Sculpture in Chicago Now: Part 2; Glass Curtain Gallery; Columbia College; Chicago, IL
Digitalis; Sonnenschein Gallery; Lake Forest College; Lake Forest, IL
2001
Between the Folds; NFA Space; Chicago, IL
Con/textual; Chicago Cultural Center; Chicago, IL
2000
Mean souls, like mean pictures, are often found in good-looking frames; 1935 W. Thomas; Chicago, IL
Agitator; Glass Curtain Gallery; Columbia College; Chicago, IL Site Works; Gallery 312; Chicago, IL
Synthesis: Collage and Mixed Media; Sonnenschein Gallery; Lake Forest College; Lake Forest, IL
PUBLICATIONS
2013
The Dallas Pavilion, edited by Jaspar Joseph-Lester and Michael Corris
2011
Writing Art Cinema 1988 2010 The Green Lantern Press (collected essays)
2010
Division Leap magazine project Issue #2
2009
Division Leap; magazine project; Issue # 1
2009
Sojourn: Issue 21; cover and interview, published by The University of Texas at
Dallas; Dallas, TX
2006
“Haim Steinbach and Martin Heidegger” InterReview ‘06
2005
“Freud’s Museum” InterReview ‘05
2002
the bells; soundtrack to Hotel Terminus; audio work on CD
2001
Hotel Terminus; artist book; published by WhiteWalls
“Reading Effect” WhiteWalls # 43
AWARDS
2013
GuestHaus Residency, Los Angeles, CA
2012
Moss/Chumley Award, Meadows Museum, Southern Methodist Universtiy, Dallas, TX
2008
Wynn Newhouse Foundation Award
2002
Residency grant from the Experimental Sound Studio, Chicago, IL
2001
Art Council/Artadia Award, jury award recipient
SELECTED BIBLIOGRAPHY
2012
Grigely, Joseph. “Beautiful Progress to Nowhere.” Parallel Lines Journal. January 2012
2011
Ladner, Barbara E. “Review: Writing Art Cinema 1988-2010 by Stephen
Lapthisophon.” MAKE Literary Productions, NFP. 2011
Canevet, Rozen. “City Report: Chicago.” Artpress, No. 380 May-July 2011
Picard, Caroline. “Methodical Handprints: An Interview with Stephen Lapthisophon,”
Bad at Sports, March 2
Lima, Benjamin. Review of Spelling Lesson exhibition at Conduit gallery, Dallas, TX,
Artforum, January 2011
2010
“Devin King in Conversation with Stephen Lapthisophon,” Bad at Sports. March 9
2009
Judson, Ben, “Six Years later. Unit B Gallery” San Antonio; review; Glasstire
2008
Koestenbaum, Wayne, Hotel Theory, p. 155 (pub. Soft Skull Press)
Bouchard, Kevin, review of Conduit Gallery exhibition; ART LIES, Spring
Durant McGurren, Diane, I, Too, Must Understand; An Interview with Artist Stephen
Lapthisophon. Sojourn Journal of the Arts, Volume 21 p. 109-122
2007
Mitchell, C.D., review of Conduit exhibition; Dallas Morning News, November
Binion, Sandra, The Sound of Music, exhibition text, Audible Gallery; Chicago, IL
2005
Wolfe, Ginger, “Stephen Lapthisophon: Authenticity and Other Critical Engagements;
catalogue essay; Kunstverein INGAN Berlin Germany
Brehmer, Debra, review of Far Off Places, Susceptible to Images
Simblist, Noah, “Conspicuous Production: The First Two Years of the
UTD/South Side Artist Residency,” ART LIES, Fall
Terranova, Charisa, “Bent Optimism,” exhibition essay; Conduit Gallery; Dallas, TX
“Susan Wheeler,” interview, BOMB, summer 2005
2004
Artner, Alan G, “Lapthisophon’s Soundscapes,” Chicago Tribune, SeptemberBrettell, Richard, “Stephen Lapthisophon and the Gesture,” exhibition catalogue; College of DuPage; Glen Elyn, IL
Rosenfeld, Katheryn “Chicago Summer,” Art Net, August 28
2003
Hixson, Kathryn, review of With Reasonable Accommodation, frieze, April
Newman, David, “Stephen Lapthisophon and the Archive”
Morse, Annie, Static exhibition essay Conduit Gallery; Dallas, TX
Thurston Moore and Byron Coley, review of Hotel Terminus, Arthur, Spring
Aveilhe, Tara review of Static, Conduit Gallery; ART LIES, Spring
2002
Wainwright, Lisa, “Found Objects in the Art of Stephen Lapthisophon,”
exhibition essay; Gallery 400; University of Illinois; Chicago, IL
Jepsen, Cara “On Exhibition: Finding Your Way When Disability Strikes”
Chicago Reader, October 25
2001
Purcell, Greg, review of "Mean Souls..." New Art Examiner, October
2000
Snodgrass, Susan, "Agitator: Contemporary Art of Propaganda” C International
Yood, James, Review of TBA exhibition, Artforum, April 2000
Hawkins, Margaret, "Putting up Fun" Chicago Sun-Times, March 31, 2000