Chuck Webster is known for his playful quasi-abstract paintings and drawings. His compositions feature a centered graphic floating nonchalantly against a usually monochrome background. His saturated colors and playful biomorphic forms evoke the spuriously naïve abstractions of Paul Klee and late Matisse, as well as outsider artist Forrest Bess. Webster’s paintings are carefully created and reworked over the course of six to eight months.
Each of Webster’s paintings is an effective labored distillation of the visual phenomena that draw his attention. While original source material may be hinted at, his finished paintings speak more about process than image. Webster is ultimately interested using painting as a tool to access deeper parts of himself and the viewer. For his latest body of work, the words “messenger” and “passenger” reflect the double activity of his paintings. He is both the carrier of the message and the passenger inside the train.
Chuck Webster's received his MFA in Painting from American University in Washington, DC (1996). He has been exhibited in group shows at PS1 Contemporary Art Center, in Long Island City, NY; Museum of Fine Arts, Houston, TX; San Diego Museum of Art, San Diego, CA; MOCAD, Detroit, MI; and the Berkshire Museum, Pittsfield, MA. His work is in the permanent collections of the Whitney Museum of American Art, New York, NY; and the MFAH, Houston, TX.
b. 1970, Binghamton, NY
lives and works in Brooklyn, NY
EDUCATION
1996
MFA; American University; Washington, DC
1993-95
Summer study; Chautauqua School of Art; Chaulaqua, NY
1992
BA; Oberlin College; Oberlin, OH
SOLO EXHIBITIONS
2014
Chuck Webster; Patrick De Brock Gallery; Knokke, BE
Woven with a Silent Motto; Marfa Contemporary; Marfa, TX
Woven with a Silent Motto; Oklahoma Contemporary Art Center; Oklahoma City, OK
Shelter; Fred Giampietro Gallery; New Haven, CT
2013
Blessing; Betty Cuningham Gallery; New York, NY
2012
Little Big Paintings; Philip Slein Gallery; St. Louis, MO
Chuck Webster; Steven Zevitas Gallery; Boston, MA
Paintings; ZieherSmith; New York, NY
2011
My Small Adventures; ZieherSmith; New York, NY
2010
It All Adds Up; ACME Gallery; Los Angeles, CA
Recent Work; Steven Zevitas Gallery; Boston, MA
2009
Chuck Webster; FRED; London, UK
Campfire: New Collages And Other Stories; Galarie Jones; Cologne, DE
2008
O My Soul; ZieherSmith; New York, NY
2007
From A Friend; Helene Nyborg Contemporary; Copenhagan, DK
Devotional Pictures, co-presented by ZieherSmith; Salander O'Reilly Galleries; New York, NY
Messengers; OSP Gallery; Boston, MA
Working Groups; Westin Art Gallery; Cincinnati, OH
2006
Working Groups; ZieherSmith; New York, NY
2005
Hudson D. Walker Gallery; Providence, RI
Hard Candy; ZieherSmith; New York, NY
2003
PLENTY, ZieherSmith, New York, NY
GROUP EXHIBITIONS
2016
Summerzcool, curated by Austin Eddy and Benjamin Edmiston; David Shelton Gallery; Houston, TX
2014
Purple States; curated by Sam Gordon; Andrew Edlin Gallery; New York, NY
Painters Painters; Saatchi Gallery; London, UK
Monsters - Superheroes – Flowers; Planthouse; New York, NY
Age Of Small Things; Dodge Gallery; New York, NY
Mandala: Locus Of Thought; Tibet House US; New York, NY
2013
Paint On, Paint Off; Halsey McKay Gallery; East Hampton, NY
Let’s Get Physical, curated by Rick Briggs; Ventana244; Brooklyn, NY
Draw Gym, organized by Brian Belott; 247365 & Know More Games; New York, NY
Woods, Lovely, Dark, and Deep, curated by John Zinsser; DC Moore Gallery; New York, NY
Paper Goods, curated by Kara Rooney; Susan Eley Fine Art; New York
New Mysticism, curated by Adam G. Mignanelli; Ballast Projects at Spring/Break Art Show; New York, NY
LOVE, curated by Stephen Truax; One River Gallery; Englewood, NJ
2012
Habeas Corpus; Halsey McKay Gallery; East Hampton, NY
Craig Taylor & Chuck Webster; RISD Memorial Hall Gallery; Rhode Island School of Design; Providence, RI
Breadbox ;ZieherSmith at the ICON; Nashville, TN
Abstract Summer; Philip Slein Gallery; St. Louis, MO
Casa De Empeño ;Anonymous Gallery; Mexico City, MX
Studio of the Absurd; GoodBye Amsterdam; M55 Art; New York, NY
2011
Forrest Best 100 Years; Paintings by Forrest and his friends, Chris Martin, Andrew Masullo & Chuck Webster; Kirk Hopper Fine Art; Dallas, TX
bodybraingame, curated by Hudson; Rhona Hoffman Gallery; Chicago, IL
BNA: Brooklyn to Nashville; ZieherSmith Pop-Up Gallery Nashville, TN Paper Variables, Dieu Donné, New York, NY
Draw the Line; Allegra LaViola Gallery; New York, NY
New Year; Storefront; Brooklyn, NY
Paper A-Z; Sue Scott Gallery; New York, NY
2010
Insider Outsider, curated by Dan Nadel as part of Porugal arte A Survey of Contemporary Art; Lisbon, PT
Barnstormers; Joshua Liner Gallery; New York
2009
Workspace Program; Dieu Donné; New York, NY
CAVE PAINTINGS organized by Bob Nickas; Gresham’s Ghost; New York, NY
Grand Reopening; ZieherSmith; New York
Color and Form: The Language of Abstraction; Berkshire Museum; Pittsfield, MA
At Close Range; Edward Thorp Gallery; New York, NY
Collaborations; ZieherSmith; New York, NY
2008
Pure Optic Ray; FRED; Leipzig, DE
Narcissus; Geoffrey Young Gallery; Great Barrington, MA
It’s Gouache & Gouache Only, curated by Geoff Young; Andrea Meislin Gallery; New York, NY
Unnameable Things, curated by Clint Jukkala; Artspace; New Haven, CT
2007
New Drawings: Recent Accessions at the MFAH; Museum of Fine Arts, Houston; Houston, TX
Animated Painting; San Diego Museum of Art; San Diego, CA
Group Exhibition; Jones & Truebenbach Galerie; Cologne, DE
Stuff: Art from the Collection of Burt Aaron; Museum of Contemporary Art; Detroit, MI
Block Party II; Daniel Weinberg Gallery; Los Angeles, CA
Painting As Fact – Fact As Fiction, curated by Bob Nickas; de Pury & Luxembourg; Zurich, CH
We Are Near, curated by Eddie Martinez; Allston Skirt Gallery; Boston, MA
(The) Melvins at (The) Mandrake, curated by Bob Nickas; Mandrake Bar; Los Angeles, CA
2006
Aprés nous, le deluge; Francis Naumann Fine Art; New York, NY
The Difficult Shapes of Possible Images; ZieherSmith; New York
Salvage + Assemble: The Barnstormers; Space Gallery; Portland, ME
2005
The Painted World, curated by Bob Nickas; P.S.1 Contemporary; New York
Exploding Plastic Inevitable, curated by Simon Watson and Craig Hensala of Scenic; Bergdorf Goodman; New York, NY
2004
The Art of the Definite, curated by Helen Miranda Wilson; DC Moore; New York, NY
Barnstormers Retrospective; Southeastern Center for Contemporary Art; Winston-Salem, NC
Water; DNA Gallery; Provincetown, MA
Visual Fellows Show; Walker Gallery; Fine Arts Work Center; Provincetown, MA
2003
Barnstormers: Billboards; H&M Gallery; New York, NY
2002
Group Exhibition; Contemporary Artist Center; North Adams, MA
Prints, Pixels, and Portals; CAC Gallery; North Adams, MA
2001
Barnstormers: No Condition is Permanent; Smack Mellon; Brooklyn, NY
Rough House Goes West; Cordell Taylor Fine Arts; Salt Lake City, UT
2000
Superduper New York; Pierogi 2000; Brooklyn, NY
AWARDS AND RESIDENCIES
2010
Fellowship; Yaddo; Saratoga Springs, NY
2009
Dieu Donne Workspace Program; NY
The Fountainhead Residency; Miami, FL
VCCA Residency; Amherst, VA
2006-07
The Space Program of the Marie Walsh Sharpe Art Foundation; New York, NY
2005
Jentel Artist Residency; Banner, WY
2004
Winter Fellowship, Fine Arts Work Center, Provincetown, MA
Fellowship, Macdowell Colony, Peterborough, NH
2002
Artist-in-Residence; The Contemporary Artist Center; North Adams, MA
2001
Residency Fellowship; The Millay Colony; Austerlitz, NY
2000
Miton and Sally Michel Avery Visual Arts Fellowship; Yaddo; Saratoga Springs, NY
Residency Fellowship; The Virginia Center for the Creative Arts; Sweet Briar, VA
1996-97
Staff Residency; The Vermont Studio Center; Johnson, VT
SELECTED BIBLIOGRAPHY
2014
Brandy McDonnell, “New York artist Chuck Webster makes his mark at Oklahoma Contemporary Arts Center”, The Oklahoman, March 2, 2014
John Brandenburg, “Chuck Webster retrospective highlights Oklahoma icons”, NewsOK, February 28, 2014
“Woven With A Silent Motto: Drawings 1977-2014”, Oklahoma Gazette, February 20, 2014
Blair Murphy, “An Interview with Chuck Webster on The Age of Small Things at Dodge Gallery”, Mdaily.com, February 19, 2014
Thomas Micchelli, “Points of Contact: Small Works, Giant Steps”, Hyperallergic.com, February 8, 2014
Ken Johnson, “Art in Review: The Age of Small Things”, The New York Times, February 7, 2014
Will Heinrich, “‘The Age of Small Things’ at Dodge Gallery”, New York Observer, February 5, 2014
2013
Thomas Micchelli, “Painting, Perception, and the Emphatically Handmade”, Hyperallergic.com, December 14, 2013
2012
“Reviews in Brief: Chuck Webster at ZieherSmith”, Modern Painters, July/August 2012
Andrew M. Goldstein, “Artist To Watch: Chuck Webster”, Artspace.com, July 2012
Roberta Smith, “Art in Review: Chuck Webster”, The New York Times, May 25, 2012
John Yau, “Moving House: Chuck Webster at ZieherSmith”, Hyperallergic.com, May 13, 2012
Will Heinrich, “Gallerist NY Review: Minime-alism: Chuck Webster at ZieherSmith”, New York Observer, May 1, 2012
Julie L. Belcove, “Working Practice: Chuck Webster” Introspective Magazine(1stdibs.com), May 2012
2011
“50 Under 50: The Annual Young Collectors List”, Modern Painters, Summer 2011
Paul Polycarpou, (ed.), “Spotlight on ZieherSmith”, Nashville Arts Magazine, July 2011
Carol Diehl, “Exhibition Reviews”, Art in America, June/July 2011
Lance Esplund, “Rock Paper Sculpture: Chuck Webster”, The Wall Street Journal, March 5-6, 2011
John Yau, “Chuck Webster: My Small Adventures”, The Brooklyn Rail, March 5, 2011
2010
Cate McQuaid, “The Lone Figure: Chuck Webster”, The Boston Globe, April 7, 2010
2009
Tim Kane, “'Color and Form’ examines the impact of American abstract painting,” The Times Union, September 27, 2009
Bob Nickas, Painting Abstraction, Phaidon Books, 2009
2008
David Humphrey, “Dumbstruck”, catalog essay for Unnameable Things, Artspace, New Haven, 2008
Shane McAdams, “Chuck Webster” The Brooklyn Rail, December 2008
2007
Craig Olsen, “Chuck Webster” The Brooklyn Rail, October 2007
Jane Durell, “Chuck Webster” exhibition reviews, Art Papers, May/June 2007
Cate McQuaid, “Chuck Webster”, exhibition reviews, The Boston Globe, May 10, 2007
Brice Brown, “A Tale of Two Cities” The New York Sun, April 26, 2007
2006
R. Klanten, S. Ehmann, and N. Bourquin editors, Into the Nature of Creatures and Wilderness, Die Gestalten, 2006
Ian Paige, “The Barnstormers Take On Space,“ The Phoenix, April 12, 2006
Jeff Bader, “The Barnstormers Storm Portland,” The Bollard, April 12, 2006
Mario Naves, “Lost in Space,” The New York Observer, February 6, 2006
Brian Sholis, “Critic’s Pick: Chuck Webster,” Artforum.com, January 2006
“Old Paper, New Ink”, The New York Sun, January 11, 2006
2005
Ken Johnson, “The Painted World”, The New York Times, November 11, 2005
Mario Naves, “Webster’s Candy Factory”, The New York Observer, January 24, 2005
David Brown, “The Barnstormers’ Pilgrimage Down South”, Sculpture Magazine, January 2005
2004
Ken Johnson, “The Art of the Definite”, The New York Times, December 17, 2004
2003
Ken Johnson, “Chuck Webster: Plenty”, The New York Times, July 4, 2003
Joey Garfield, “Barnstorm”, Anthem Magazine, 2003
2002
Larry Sell, New Art in Old Surroundings, Poughkeepsie Journal, 2002
“Barnstormers: At Binghamton”, Relax Magazine, June 2002
2001
Gina Bellafante, “Art Patrons Wanted”, The New York Times, May 2001
1996
“Guest Muralists: Experts in the Field”, Just Paint 10, Published by Golden Artists Colors Barbara Rose, exhibition catalog essay, Forced Proximity, Foundry Gallery, Washington DC 1996.