Cheryl Donegan's work integrates the time-based, gestural forms of performance and video with forms such as painting, drawing and installation. Direct, irreverent, and infused with an ironic eroticism, Donegan's work puts a subversive spin on issues relating to sex, gender, art-making and art history. Using her body as metaphor in her earlier works, Donegan's performative actions before the camera often resulted in or related to process paintings and drawings. More recently, the paintings often lead the video work as Donegan derives abstraction from debased images of consumer objects and spaces. As critic Nick Stillman writes in Art Forum: "Donegan's recent work remains acidic, but it has turned abstract”. Donegan is known for her video works from the early ‘90s, including Kiss My Royal Irish Ass (K.M.R.I.A.) and Head (both 1993), which targeted the clichés of the female body in art and other issues of art politics.
Donegan received her MFA from Hunter College, NY and BFA in Painting from the Rhode Island School of Design. Her recent solo exhibition, titled GRLZ + VEILS and organized by Aspen Art Museum travelled to Contemporary Arts Museum Houston (CAMH) in 2018 - 2019. Donegan's work has been exhibited internationally including Kunsthalle Zürich; New Museum; the 1995 Whitney Biennial, The Museum of Modern Art; the Tang Museum of Art; New York Film and Video Festival; 1993 Venice Biennale; Biennale d’Art Contemporain de Lyon, France; Contemporary Arts Museum Houston, Houston, TX; New Museum, New York, NY; Galerie VidalCuglietta, Brussels, BE; and White Flag Library, St. Louis, MO. She has been a frequent seminar leader and guest critic at Yale University, was a faculty member at Skowheagan School of Drawing and Painting (Summer 2011) and a visiting artist/lecturer at numerous art programs in the United States. Currently she is preparing for an exhibition at Skaftfell Center for Visual Art, East Iceland titled Donegan + Dieter in summer of 2019 and working on a new publication with Three Star Books.
b. 1962, New Haven, CT
lives and works in New York City
EDUCATION
1990 M.F.A.; Hunter College; New York, NY
1984 B.F.A., Painting; Rhode Island School of Design; Providence, RI
SPECIAL PROJECTS
2016
Extra Layer Fashion Show, a collaboration with Print All Over Me and Richard Haines; The New Museum; New York, NY
Cheryl Donegan: Your Plastic Video, curated by Melanie Kress, High Line Park, A Program of Six Videos Presented in Public on the High Line Park; New York, NY
2015
Broken Gingham Fasion Show, a collaboration with Print All Over Me and Richard Heines, Performance curated by
Sam Gordon; Nada Art Fair; New York, NY
SOLO EXHIBITIONS
2019
Contemporary Art Museum Houston; Houston, TX (Currently on view)
2018
Aspen Art Museum; Aspen, CO
2017
My Plastic Bag, curated by Daniel Baumann;Kunsthalle Zurik; Zurich, Switzerland
Recent Work; David Shelton Gallery; Houston, TX
2016
Scenes + Commercials; New Museum; New York, NY
2015
Layers, Banners, Legs & Vines; LevyDelval; Brussels, BE
The Softest Punk; Horse and Pony Show; Berlin, Germany
Paintings and Videos; Sgorbati Projects; New York, NY
2014
HAUL; David Shelton Gallery; Houston, TX
2013
Blood Sugar; Galerie VidalCuglietta; Brussels, Belgium
White Flag Library, curated by Sam Korman; White Flag Projects; St. Louis, MO
2010
I still want to drown; Hidde Van Seggelen Gallery; London, UK
Project Space; Galerie VidalCuglietta; Brussels, Belgium
2009
Cheryl: The Work of Cheryl Donegan, curated by Lynne Stein; Rockland County Museum of Art, Media Project Space; West Nyack, NY
2008
Stop me if you think you’ve heard this one before; Hidde Van Seggelen Gallery; London, UK
He Said, she said; Oak Park, IL
2007
Luxury Dust; Oliver Kamm/5BE Gallery; New York, NY
2005
Old, Temporary; Oliver Kamm/5BE Gallery; New York, NY
2003
Junk Space; Oliver Kamm/5BE Gallery; New York, NY
2001
White Room; White Columns; New York, NY
1998
Lotta Hammer; London, UK
1997
Scenes + Commercials: A Retrospective Development - the Movie; Basilico Fine Arts; New York, NY (catalog essay by Robert Mahoney)
Baumgartner Gallery; Washington D.C. (project room)
1996
Tent; Basilico Fine Arts; New York, NY
1994
Nice Fine Arts; Nice, France
Galerie Rizzo; Paris, France
AllGirls; Berlin, Germany
Studio Guenzani; Milan, Italy
1993
Elizabeth Koury Gallery; New York, NY
GROUP EXHIBITIONS
2018
Alan Shields Project, curated by Augusto Arbizo; Van Doren Waxter; New York, NY
2017
On Repeat, curated by Raphael Rubinstein; Clarke & Associates; Houston, TX
Eat/ing Your Heart Out, curated by Molly Surno; Crush Curatorial; Amagansett; New York, NY
2016
On the Verge of an Image: Considering Marjorie Keller, curated by Alika Copper and Ana Mayer; The Gamble House, University of Southern California, School of Architecture; Los Angeles, CA
Default, curated by Eden Phair; Honor Fraser Gallery; Los Angeles, CA
The Hyena is a Striped Dog Who Thought He Was a Laughing Horse, curated by Koen Delaere and Bas Van Der Hurk; Halsey McKay Gallery; East Hampton, NY
Body Superficial; Sgorbati Projects; New York, NY
How to Be Unique, curated by Bertold Mathes; Kienzle Art Foundation; Berlin, Germany
Come As You Are: Art of the 1990’s, curated by Evan Garza; Blanton Museum of Art, University of Texas; Austin, TX
2015
Assisted, curated by Jessica Stockholder; Kavi Gupta Gallery; Chicago, IL
Coal for Wine, curated by Nicholas Irzyk; Brennan & Griffin; New York, NY and Fab Gallery, Viriginia Commonwealth University; Richmond, VA
Pretty Raw: On and Around Helen Frankenthaler, curated by Katy Seigel; Rose Museum of Art, Brandeis University; Waltham, MA
Ying Yang/ Blurring the Lines Between Art and Design, curated by Tessa Perutz; 99 Cent Plus/ Handjob Gallery Store; Brooklyn, NY
Box Lunch; Skylab Gallery; Columbus, OH
Subject Matter: Cheryl Donegan and Stephen Lapthisophon; David Shelton Gallery; Houston, TX
2014
Purple States, curated by Sam Gordon; Andrew Edlin Gallery; New York, NY
No Ground But Say Ground, curated by Joe Fyfe; Halsey McKay Gallery; East Hampton, NY
Particular Pictures, curated by Emily Ludwig Schaffer and Joshua Abelow; The Suzanne Geiss Company; New York, NY
IMPRINTS, organized by Amy Wolf; Leslie Tonkonow; New York, NY
2013
My crippled Friend, curated by Patrick O’Rorke and Michael Gosdson; Canzani Center Gallery, Columbus Collage of Art and Design; Columbus, OH
OUTSIDE THE LINES: UIA (Unlikely Iterations of the Abstract), curated by Bill Arning; Contemporary Art Museum, Houston; Houston, TX
In Search of an Image; Kersgallery; Amsterdam, Netherlands
1993: International Jet Set, Trash and No Star; The New Museum; New York, NY
Paint Things; deCordova Sculpture Park and Museum; Lincoln, MA
Objects in the Mirror are Closer Than They Appear, curated by Mika Gellman; Kravets Wehby Gallery; New York, NY
2012
Against Interpretation, a poster project in collaboration with Whatspace, tilberg and onomatopee; organized by Koen Delare; Eindhoven, Netherlands
Doble Discourso, curated by Javier Rodriguez; Centro Cultural Chacao; Caracas, Venezuela
2011
December, curated by Howie Chen; Mitchell-Innes & Nash Gallery; New York, NY
"I don’t know if it makes any sense - I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly…", curated by Howie Chen and Tim Saltarelli Imo; Copenhagen, Denmark
Magic hand!, curated by Josh Abelow; art blog art blog; 503 west 26th street, 11th floor; New York, NY
Ex libris; Galerie VidalCuglietta; Brussels, Belgium
Straw, curated by Erik Lindman; Hanna Barry Gallery; London, UK
Provisional Painting, curated by Raphael Rubenstein; Stuart Shave Modern/Modern art; London, UK
Kabinett 6, Cheryl Donegan and Tom Meacham; Devening projects + editions; Chicago, IL
eyes wide shut, Cheryl Donegan and Tom Meacham; nicelle beauchene gallery; New York, NY
2010
Fit and finish, curated by Gary Stephan; eisbox projects; Brooklyn, NY
Plus One, curated by Dan Cameron; Perry Rubenstein Gallery; New York, NY
THE Jewel Thief, curated by Jessica Stockholder and Ian Berry; the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College; Saratoga Springs, NY
Gradation, curated by Garth Weiser; Portugal arte 10; Lisbon, Portugal
Creeds, Colors and combinations; Nicelle Beauchene Gallery; New York, NY
Eyes Wide Shut, Cheryl Donegan and Tom Meacham; burning bridges; New York, NY
2009
Beside, with, against and yet: abstraction and the ready-made gesture, curated by Debra Singer; The Kitchen; New York, NY
Between Spaces, curated by Tim Goosens and Kate McNamara; PS 1 Center for Contemporary Art; Long Isand City, NY
Slough, curated by Steve Dibenedetto; David Nolen Gallery; New York, NY
2008
últimos Sueños; Colleción de arte contemporáneo fundacion “la caixa”; Barcelona, Spain
Julia Stoschek Collection Number two: fragile; Dusseldorf, Germany
2007
Abstract Paintings and a Sculpture; The Fireplace Project; East Hampton, NY
Multiplex: Directions in art, 1970 to now, curated by Deborah Wye Museum of Modern Art; New York, NY
Cheryl Donegan, Rannva Kunoy, Thomas Livesey; Brown; London, UK
2006
Safe; Kathleen Cullen Fine Art Gallery; New York, NY
New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video; Grimaldi Forum; Monaco
Into Me / Out of Me; PS1/MoMA; Long Island City, NY
TM:GS / CD:SC; Oliver Kamm/5BE Gallery; New York, NY
Space Between the Spokes; KS Art; New York, NY
Bricks In The Hood; Oliver Kamm/5BE Gallery; New York, NY
2005
Withdrawl; Galerie Chez Valentin; Paris, France
2004
Grotesque, Burlesque, Parody, curated by Caroline Bissiere and Jean-Pul Blanchet; Abbey Saint-Andre, Centre d'Art Contemporain; Meymac, France
2003
Artist’s Choice, curated by Mona Hatoum; Museum of Modern Art; New York, NY
Bright Lights, Big City, curated by Maurizio Cattelan; David Zwirner Gallery; New York, NY
2002
Second Sight, Selections of Recent Work by alumni from the Second Decade of the MFA Program at Hunter College 1991-2001; Hunter College/Times Square Gallery; New York, NY
2001
Words and Things, curated by Francis McKee; CCA; Glasgow, Scotland
Video Installation in the New Museum Windows, in conjunction with Paul McCarthy, organized by Laurie Halsey Brown; New Museum; New York, NY
Video Jam, curated by Galen Joseph-Hunter and Michael Rush; Palm Beach Institute of Contemporary Art; Palm Beach, FL
Le Tribu del’ Arte; Galleria Comunale d’ arte Moderna e Contemporanea; Rome, Italy
Digital Video Wall; 1251 Avenue on the Americas; New York, NY
2000
Kin, curated by Caoimhin Mac Goilla Lieth; Kerlin Gallery; Dublin, Ireland
1999
Phantom Heckler, curated by Padraig Timoney/ Egyptianradio in conjunction with the Liverpool Biennial; Tea Factory; Liverpool, UK
Head to Toe: Impressing the Body, curated by Margaret Matthews-Berenson and Donna Harkavy; University Gallery, University of Massachusetts; Amherst, MA (catalog)
8th Biennale de l’Image en Mouvement, Centre St. Gervais; Geneva, Switzerland (catalog essay by Fabrice Stroun)
Girlschool, curated by Catherine Morris and Maureen Mahoney; Brenau University Galleries, Brenau University; Gainesville, GA
Double Vision, curated by Michael Pittar; Nexus Center for Contemporary Art; Atlanta, GA
Positioning; Bard Center for Curatorial Studies, Bard College; Annandale-on-Hudson, NY
1998
Educating Barbie; Trans Hudson Gallery; New York, NY
Made in USA; Galleria Il Capricorno; Venice, Italy
machtig gewaltig; ACC Gallery; Weimar, Germany
I Love New York; Ludwig Museum; Koln, Germany (catalog)
Video Library; David Zwirner Gallery; New York, NY
Facts and Fiction, curated by Valentina Valentini; Progetto Giovani; Comune di Milano, Milan, Italy (catalog)
Light on the Millenium; Busan Metropolitan Art Museum; Busan, KP (catalog)
Deo Divertimenti, curated by Susan Hapgood; Camera Obscura; San Casiano dei Bagni, Italy
Rooms With A View: Environments for Video; Guggenheim Museum; Soho, New York, NY
1997
Dissolution: Made in the USA, curated by Margaret Murray; Laurent Dayle Gallery; London, UK
7th Biennale de l’Image en Mouvement; Centre St. Gervais; Geneva, Switzerland (catalog)
UKNY, curated by Steven Bode; Film and Video Umbrella; London, UK (touring program)
1996
Young and Restless, curated by Stephen Vitiello; The Museum of Modern Art,; New York, NY/ WRO Festival; Warsaw, Poland/ Contemporary Art Museum; Honolulu, HI/ Cornell Unversity, Ithica, NY/ Kunstbunker Tumulka; Munich, Germany/ Kunstakademiet; Trondheim, Norway/ Henry Art Gallery; Seattle, WA/ London Filmakers Co-op; London, UK
Up Close and Personal; The Philadelphia Museum of Art; Philadelphia, PA
(nude) a comparison of the body of the artist in video from the 1970s and 1990s, curated by Hiedi Zuckerman; Trans Hudson Gallery; Jersey City, NJ/ Catharine Clark Gallery; San Francisco, CA/ Art & Idea; Mexico City, Mexico
Adicere Animos; La Galleria d’Arte Moderna e Contemporanea e Pinacoteca Nazionale; Cesena, Italy
Pushups, curated by Emily Tsingou; The Factory, Athens School of Fine Arts; Athens, Grece
Intermission, organized by Matthew Ritchie and Tolland Grinnell; Basilico Fine Arts; New York, NY
Ouverture; Château de Bionnay; Lacenas, France
Monstrosities 1/2; Kleiner Festsaal der Hackenchen Höfe; Berlin, Germany
Comedy in American Art; Galerie Andreas Binder; Munich, Germany
1995
Everything That's Interesting is New: The Dakis Joannou Collection; DESTE Foundation, Athens School of Fine Arts; Athens, GR/ Museum of Modern Art; Copenhagen, Denmark (catalog)
Biennale D’Art Contemporain De Lyon; Lyon, France (catalog and CDROM)
Space Odyssey, curated by Helena Papadopoulos; Eleni Koroneou Gallery; Athens, Grece (catalog)
A Drawing; Bravin Post Lee; New York, NY
Stereo-Tip, curated by Helena Pivec, Eva Maria Stadler, and Lilijana Stepancic; Soros Center for Contemporary Art; Ljubljana, Slovenia (catalog)
Whitney Biennial Exhibition; Whitney Museum of American Art; New York, NY/ Statens Museum for Kunst; Copenhagen, Denmark (catalog)
Collaborations Between Artists and Writers, organized by Elizabeth Fiore and Christine Breede; Deutches Haus-Columbia University; New York, NY
Fresh; Film and Video Umbrella; London, UK (touring program)
Cheryl Donegan: Performance and Video; Film and Video Umbrella; London, UK; essay by Chris Drake
Ireland Stories; Film and Video Umbrella; London, UK (touring program)
1994
Use Your Allusion: Recent Video Art; Museum of Contemporary Art; Chicago, IL
Flooding Camera; WorkSpace 101 Wooster St.; New York, NY
Puber-Alles (Why am I who I am?), curated by Mark Wilson; Stedelijk Museum/Bureau; Amsterdam, Netherlands
Rien à signaler; Galeria Analix--B&L Polla; Genèva, Switzerland (catalog)
Soggetto Soggetto--una nuova relazione nell’arte di oggi; Castello di Rivoli Museuo d’arte Contemporanea; Turino, Italy (catalog)
Out West and Back East; Santa Monica Museum; Santa Monica, CA
Audience 0, 01; Vera Vita Gioia Gallery; Naples, IT/ Flash Art Museum; Trevi, Italy
Acting Out: The Body in Video: Then and Now; Henry Moore Galleries, Royal College of Art; London, UK (catalog)
Horizons; The Contemporary Arts Center; Cincinnati, OH
Everyday Life, curated by Simon Watson; Kim Light Gallery; Los Angeles, CA
The Reading Room, curated by Breda Beban and Hrvoje Horavatic; Camden Arts Center; London, UK
Guys and Dolls, curated by Tony Oursler; Videospace, ICA; Boston, MA
1993
Ghost Limb; Basilico Fine Arts; New York, NY
Aperto; Venice Biennale; Venice, Italy (catalog)
Rott Snitt; Moderna Museet; Stockholm, Sweden/ Royal Art Academy; Copenhagen, Denmark/ Malmo Kunsthalle; Malmo, Sweden; curated by Thomas Nordenstadt
Body Guard; Hoenthal und Bergen Gallery; Munich and Koln, Germany
Ciphers of Identity; Fine Art Gallery, University of Maryland; Baltimore County, MD; organized by Maurice Berger
Mating Instinct; Penine Hart Gallery; New York, NY
Summer Punch; Kim Light Gallery; Los Angeles, CA
Confessional; Elizabeth Koury Gallery; New York, NY; curated by Andrea K. Scott
Kiss My Royal Irish Ass (K.M.R.I.A.); Andrea Rosen Gallery; New York, NY
1992
Performance Behind the Curtain; White Columns; New York, NY
12 Artists 12 Weeks, curated by Erik Oppenheim; Dooley Le Cappelaine Gallery; New York, NY
Tabloid: On Location; Sally Hawkins Gallery; New York, NY; curated by Kathleen Cullen and Robert Mahoney
Ecstasy; Dooley Le Cappelaine Gallery; New York, NY
1991
Value; 522 Lafayette Street Space; curated by Kathleen Cullen, Robery Mahoney, Russett Lederman, Yvonne Muranushi; New York, NY
The Subversive Stitch; Simon Watson Gallery; New York, NY; curated by Simon Watson and Maurice Berger (essay). Accompanying essay “The AIDS Quilt and Its Metaphors” contributed by the artist
Home for June; Home for Contemporary Art and Theater; New York, NY; curated by Erik Oppenheim
Total Metal; Simon Watson Gallery; New York, NY; curated by Richard Philips
1990
Reconnaissance; Simon Watson Gallery; New York, NY; curated by Kirsten Mosher and Regina Joseph (catalog)
All Quiet On The Western Front?; Espace Dieu; Paris, FR; curated by Collins and Millazo in association with Antoine Candau (catalog)
Works On Paper; Althea Viafora Gallery; New York, NY
1989
Object Lessons; Momenta Art Alternatives; Philadelphia, PA
1988
The Advertising Show; F Train East Broadway Station; New York, NY
BIBLIOGRAPHY
2016
Greenberger, Alex, “Project Runway: Cheryl Donegan on Her Fasion Line for the New Museum”, artnews.com, April 4
Corbett, Rachel, “What Six Artists Learned from Career-Defining Shows”, Theartnewspaper.com
Schwendener, Martha, “Cheryl Donegan, Scenes + Commercials”, The New York Times
Connor, Michael, “A Studio Visit With Cheryl Donegan”, Rhizome.org
K. Scott, Andrea, “Anything Goes”, The New Yorker, February 18
J. Simmons, William, “Pattern Play: An Interview with Cheryl Donegan”, Art in America
2015
This is Nada Fashion, WMagazine.com
Hurst, Howard, “The Coy Politics of Cheryl Donegan’s Recycled Imagery”, Hyperallergic
2013
Korman, Sam, “Interview with Cheryl Donegan”, bombsite.com, Fall
McQuaid, Kate, “paint things is off the wall,” Goston Globe, February
Cook, Greg, “painting beyond the stretcher at the decordova, The Phoenix, February 13
Bergkron, Charles, “art busts a move,” The Daily News, March 24
2011
Cheryl donegan and tom meacham at Nicelle Beauchene Gallery,Tthe New Yorker, May 2
Rosenberg, Karen, “four strolls to see what’s blooming indoors”, New York Times, April 22
2009
Donegan, Cheryl, “Allen Ruppersberg,” bomb, number 109, Fall, pp. 80-87
Rubenstein, Raphael, “Provisional Painitng”, Art in America, May, p.122
“Slough”, The New Yorker, July, 2009, p.11
Saltz, Jerry, “Messy Vitality”, New York Magazine, June 29-July 6, p.127
2008
Walsh, Maria, “Cheryl Donegan at Hidde Van Seggelen Gallery” Art Monthly, November
2007
Saltz, Jerry, “Non-specific objects”, Modern Painters, March, p.32
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Coxhead, Gabriel, “Donegan/Kunoy/Livesey”, Time Out London, Nov. 7-13
Pollack, Barbara, “Cheryl Donegan, Luxury Dust”, Time Out New York
Sept. 20-26
Schwendener, Martha, “Cheryl Donegan: Luxury Dust, Art In Review”, The New York Times, Sept. 7
2006
“TM:GS / CD:SC”, The New Yorker, Goings on About Town, May 22
Kernan, Nathan, “Cheryl Donegan at Oliver Kamm/5BE”, Art In America, January
2005
Johnson, Ken, “Cheryl Donegan: Old, Temporary”, New York Times, May 20
2004
Campbell-Tzanetoulakou, Faye, “Forget-me-not,” Artnet, January 21
2003
Johnson, Ken, “Junk Space”, New York Times, May 23
Saltz, Jerry, “Something Wild,” Village Voice, December 25, p. 73
Smith, Roberta, “When an artist’s eye guides a museum show,” New York Times, Dec 12
2001
Rush, Michael, “No Longer an Orphan, Video Art Gives Itself a Party,” New York Times, February 17, pp. 39-40
Green, Tamsen, “Painting Reborn” Columbia Dailey Spectator, May 30, pp.7-8
Ruane, Medb, “Not Such Kindred Spirit,” The Sunday Times, August 6, pp. 10-11
2000
Groake, Vona, “Kin at Kerlin, Galleries Magazine, August
Daly, Catherine, “Kin, ” The Sunday Times, July 23
“Kin at Kerlin Gallery,” In Dublin Magazine, vol. 25 no.15, July/August
“Green Fields of New York,” The Irish Times, July 19
1999
Jocks, Hienz-Norbert, “I Love New York, Kunstforum, January- February, p. 311
Kline, Christina. “Plural Identities- Inventing Ourselves Through Art”, Atlanta Press, August 6-12, p. 10-11
1998
Noikolva, Milena and Theil, Wolf Gunter, “Crossover”, Flash Art, Jan - Feb, p. 33, 57
Kino, Carol, ‘Educating Barbie,” Time Out, September 17-24, p. 91
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1997
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Schmerler, Sarah. “4 Rooms, Video Vu”, Time Out New York, May 1-8, p.36
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1996
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1995
Carron, Natacha. “Dominique Figarella and Cheryl Donegan: Painting as an Ascetic Discipline,”Documents, Spring, Number 7, p. 31-34
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Rugoff, Ralph. “ The Shows of Shows,” Harper’s Bazaar, March, p.332
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1994
Cameron, Dan. “Ode To Discernment,” Frieze, Jan/Feb., Issue 14, p. 36-40.
Saint-Jacques, Camille. “Cheryl Donegan,” Le Journal Des Expositions, Nov, No. 20, p.2.
Knight, Christopher. “A Bicostal Flashback,” Los Angeles Times, February 18
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1993
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1992
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1990
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AWARDS
1995
Anonymous Was A Woman, grant of $25,000 for women artists
Grand Prix, 7th Biennale de l’Image en Mouvement, Centre St. Gervais, Geneva, Switzerland
BOOKS
The Power of Feminist Art, Harry N. Abrams, Inc., 1994
New Art, edited by Roxana Marcoci, Diana Murphy, Eve Sinaiko, Harry N. Abrams, Inc., 1997
New Media in the Late 20th Century, Michael Rush, Thames
