Archived Exhibition

Special Madness: Aaron Garber-Maikovska, Stanya Kahn, Chloe Seibert, Jesse Stecklow and Ian Swanson

Fri, Oct 10, 2014 → Sat, Nov 8, 2014

Aaron Garber-Maikovska, Stanya Kahn, Chloe Seibert, Jesse Stecklow and Ian Swanson

Arts+Culture Magazine and ARTBLOGARTBLOG

Curated by Keith J. Varadi

Time is not adhesive. Place is not a room. Carbon monoxide on floors; fingerprints on walls. Tuning insular frequencies out, turning self-mechanisms onto oneself. Stationary sensual wonderment, discovered through wanton wandering. Go creep in the moonlight, or the neon of local gas stations: 76, Amoco, Arco, BP, Chevron, Citgo, Exxon Mobil, Getty, Hess, Sheetz, Shell, Speedway, Texaco, Valero, Wawa, whatever, wherever. Huffing fumes, not because you want to, because it’s there. Empty brown paper bags, empty bottles emptied out. Empty canvas and linen, stretched and still empty. Empty rolls of film, dumped out of empty canisters. Empty marble, tiles, lumber, and drywall; empty for now. Empty wallets; empty for now. Do something. Do something. Do something. The head will always prevail, even when the limbs all fail. There is a special madness that skulls must eat to feed.

 

Ian Swanson; Mugshotworl.de (selection 6 - 15 w/exemptions), 2014
Ian Swanson; 40lb NO HEAT, 2014; rubberized PVC, fiberglass rod, Nite Ize gear ties, paracord, toothbrush; 46 x 8 in.
Jesse Stecklow; Untitled (Tuning Fork, Extended), 2014; Norprene tubing, heat shrink tubing, badge clips, tuning fork, fly tape; dimensions variable
Jesse Stecklow; Untitled (4:16:52), 2014, 2014, 2014; clock parts, clock, Carbograph 5 air samplers, hardware; 14 x 14 x 4 in.
Chloe Seibert; Doggie Door, 2014; aluminum, plastic, wood; 93 x 36 in.
Chloe Seibert; Blue Lady Replica, 2014; mixed media; 28 x 28 x 19 in.
Stanya Kahn; That witch can't be stopped, 2014; ink and gesso on canvas; 75 x 60 in.
Stanya Kahn; That witch is above, 2014; ink and gesso on canvas; 80 x 57 in.