
My paper works begin with sheets of commercially colored cardstock- a material made more available in recent years by the greater renaissance of the do-it-yourself home crafting movement.
The imagery begins with sketches where I decide on the scale of the work, and a general color sensibility. Individual components of the sketch are translated into hand cut shapes. These then are glued in successive layers on a paper board- working from side-to-side and background to foreground. The flatness of the paper is countered by a dense layering of successively smaller and more ornate pieces; bending, folding, and rolling elements coupled with the graphic qualities of the cut-out's edges, create dramatic contrasts.
My process evolved from my background in mixed-media sculpture and installation (where cardstock and other colored papers were often one component among many). At the time, my work was about transforming conventional craft or building materials into spectacle objects. But as the paper works evolved I began to look for ways to move beyond the inherent flatness to achieve the same sense of submersion that had been such an important part of my previous installation work. I spent time looking at other art forms like mosaic, relief sculpture, collage, and other paper crafting traditions, and have gone on to incorporate aspects of these forms into my work. The results have been ever-increasing levels of detail and dimensionality.
SOLO SHOWS
2010
Inner Beasts, John Michael Kohler Arts Center, Sheboygan, WI
2009
Abundant Creatures, DCKT Contemporary, New York, NY
James Watrous Gallery, The Wisconsin Academy of Sciences, Arts and Letters, Madison, WI
Deux Ex Machina, Madison Public Library Central Branch, Madison, WI
2008
Exotica, La Montagne Gallery, Boston, MA
Solo Project, Next Art Fair, Chicago, IL
Unconscious Lairs: Selected Cut Paper Works, Edenfred, Madison, WI
2007
The Intuitive Jungle, DCKT Contemporary, New York, NY
2006
New Paper Works, Conduit Gallery, Dallas, TX
2005
The Still Lives of Saints, Ratio 3, San Francisco, CA
2004
The Dark Matters and the Lingering Lightness, Conduit Gallery, Dallas, TX
Always Look Up, The Suburban, Oak Park, IL
The You in the I, curated by Larry Rinder, Artpace, San Antonio, TX
2003
The Depth of the Drop, Blue Star Art Space, San Antonio, TX
SELECTED TWO-PERSON AND GROUP SHOWS
2010
Psychedelic: Optical Art Since the 1960's, San Antonio Museum of Art, San Antonio, TX
Exotic Matter with Joey Fauerso, David Shelton Gallery, San Antonio, TX
Cache, curated by Arts Industry, Madison, WI
2009
Slash: Paper Under the Knife, Museum of Art and Design, New York
All I Never Wanted, KK Outley, London, England
Multiples, David Shelton Gallery, San Antonio, TX
The Garden at 4AM, curated by Paul Laster and Renée Ricardo, Gana Art, New York, NY
One Hundred Beasts, Giant Robot Gallery, San Francisco, CA
2008
Troglodytes See Better in the Dark, David Castillo Gallery, Miami, FL
Summer Group, DNA Gallery, Provincetown, MA
3 Landscapes in the Modern Style, Western Exhibitions, Chicago, IL
Binocular Rivalry, with Joey Fauerso, Sala Diaz, San Antonio, TX
Renaissance, curated by Blair Voltz Clarke, Ferragamo Gallery, New York, NY
2007
Ornament, Bravin Lee Programs, New York, NY
Selections from the Texas Biennial, Blue Star Art Space, San Antonio, TX
Millay Group, Columbia County Arts Commission, Hudson, NY
Texas Biennial, multiple sites, Austin, TX
Paperwork, curated by Catherine Walworth, Unit B Gallery, San Antonio, TX
2006
Beast, Finesilver Gallery, Houston, TX
Project Space, Michael Martin Galleries, San Francisco, CA
Wild and Bushy, Volitant Gallery, Austin, TX
New American Talent 21, curated by Aimee Chang, Arthouse, Austin, TX
Boys and Flowers, Western Bridge, Seattle, WA
2005
With us against reality or against us! curated Ida Ekblad & Anders Nordby, Galerie S.E., Bergen, Norway
Amarillo Biennial 600, curated by James Elaine, Amarillo Museum of Art, Amarillo, TX
2003
We Are Electric, curated by Chris Perez, Deitch Projects, New York, NY
2002
Drawing in San Antonio, Marion Koogler McNay Art Museum, San Antonio, TX
GRANTS AND HONORS
2008
Pleasant T. Rowland Fellowship
2007
Bay and Paul Foundations Fellow
2005
Dozier Travel Grant Recipient, Dallas Museum of Art
2002
Travel Grant Recipient, ArtPace, A Foundation for Contemporary Art
RESIDENCIES
2010
Serie Project, Coronado Studios, Austin, TX
2009
John Michael Kohler Arts Industry Residency
2008
SÍM Artist Residency, Reykjavik, Iceland
Vermont Studio Center, Johnson, VT
2007
Millay Colony for the Arts, Austerlitz, New York
2004
Artpace International Artist-In-Residence Program, Artpace, San Antonio
VISITING ARTST LECTURES
2008
Artist Colloquium, University of Wisconsin-Madison
2007
Emerging Artist Lecture Series, Beloit College
Artist Colloquium, University of Wisconsin-Madison
2006
Artists Looking at Art, McNay Art Museum, San Antonio, TX
2004
UT Dallas Southside on Lamar, Artist Residency Lecture Series
Professional Development Seminar, Department of Art and Art History, UTSA
GALLERY REPRESENTATION
DCKT Contemporary, New York, NY
David Shelton Gallery, San Antonio, TX
COLLECTIONS
John Michael Kohler Art Center
The Progressive Collection
Kohler Company
Grand Hyatt Hotels Collection, San Antonio
Bexar County Courthouse, San Antonio, TX
Linda Pace Foundation
Peak Six Investments, Chicago, IL
Children's Hospital Boston
Western Bridge, Seattle
EDUCATION AND TRAINING
2000
Master of Fine Arts, The University of Wisconsin-Madison
1999
Master of Arts, The University of Wisconsin-Madison
1993
Bachelor of Fine Arts, The Florida State University, Tallahassee
TEACHING EXPERIENCE
2009 - Present
Faculty Associate and Gallery Coordinator, Art Department, University of Wisconsin-Madison
2008 - Present
Lecturer in College Transfer Art, Madison Area Technical College
2007 - 2008
Lecturer in Foundations and Pre-College Program, Milwaukee Institute of Art and Design
2007
Visiting Faculty in Studio Art, Department of Visual Art, University of Chicago
2005 - 2008
Lecturer in Studio Art and Foundations, Art Department, University of Wisconsin-Madison
2004 - 2006
Adjunct Faculty in Foundations, Visual Arts Department, San Antonio College
Adjunct Faculty in Foundations, Art Department, University of the Incarnate Word, San Antonio, TX
2004 - 2005
Adjunct Professor, Visual Arts, Palo Alto College, San Antonio, TX
2003 - 2004
Adjunct Professor, Fine Arts, St. Philips College, San Antonio, TX
PROFESSIONAL AFFILIATIONS
College Art Association
Guild of American Paper Cutters
American Craft Council
JURIED ONLINE SLIDE REGISTRIES
Drawing Center Artist Registry, New York
Irving Sandler Artists File Online, Artist's Space, New York, NY
SELECTED PUBLICATIONS
2009
Live at KEXP Volume 5 CD Booklet Art, Produced by KEXP 90.3 FM, Seattle
Pájaros del Arcoiris/ Rainbow Birds, A Collective Coloring Book for the Children of Tijuana, Published by Foi Jimenez Jurado & Charles Glaubitz
2008
BEAST II, Jacob Covey, Ed. Fantagraphics, Seattle, WA
SELECTED BIBLIOGRAPHY
Catalog, Psychedelic: Optical and Visionary Art Sonce the 1960's, edited by David S. Rubin, MIT Press, 2010
Featured artist profile, Mandala Spirit, etapes: Design et Culture Vieuelle, February, 2010
Art Review, Slash: Paper Under the Knife, by Jane Harris, Time Out New York, Issue 746: Jan 14 - 20, 2010
The Approval Matrix, New York Magazine, week of January 18, 2010
Joy vs. Darkness, review, Jennifer A. Smith, ISTHMUS, Jan. 1, 2010, Vol. 35, No. 1
Art Review, Move Over, Humble Doily: Paper Does a Star Turn, by Karen Rosenberg, New York Times, October 19, 2009
The Opulent Exuberance of Internal Shadows: Artist Interview with Michael Velliquette, by Richie Budd, Fort Worth Contemporary Art Examiner, online journal, December, 2009
Catalog, Slash: Paper Under the Knife, Museum of Arts and Design, David Revere McFadden, 2009
Numa Folha Qualquer, by Marianna Da Addario Guemaraes, article, abc Design Magazine, p. 36, 2009
Paper Fiend: Inspirations, Obsessions, and Curiosities from the Web to Nourish the Soul of a Paper-Lover, by Jeffery Rudell, craftystylish.com, April 27, 2009
Papercraft: Design and Art with paper, Gestalten Publishers, 2009
I Make Stuff, Handmadelife, Ramona Barry, Beck Jobson, 2009
Featured Interview, TKArtspace Online, February, 2009
Artist Profile, FirstCut Magazine, Vol. 24, No. 1, Winter, 2009
Best in Mixed Media: Michael Velliquette Abundant Creatures", Time Out New York, May 27 - June 1.
Lower East Psychedelic, by Benjamin Sutton, The L Magazine, May 13, 2009.
2004 Artpace Residencies and Exhibitions, Matthew Drutt, general editor, Published by Artpace San Antonio, TX 78205, Copyright 2008 Artpace San Antonio, International Artist-In Residence New Works: 04:1, "Michael Velliquette" by Larry Rinder, 2008
3 Landscapes in the Modern Style, by Rachel Adams, Flavorpil, July 2008.
CAM 2008: Binocular Rivalry, by Emily Seale, San Antonio Current, July, 2008.
Cook, Greg, Fringe Festival, Boston Phoenix, June 10, 2008.
Calendar: Arts, The New York Sun, May 9-11.
Paperwork: Unit B Gallery, by Lawrence Jennings, Art Lies, Issue 54, Summer, 2007.
Texas Biennial, The Austin Chronicle, Arts Section, March 30, 2007.
Texas Biennial 2007, Corinna Kirsch, ...might be good, Online arts magazine, Issue 85, 2007
Wild and Bushy at Volitant Gallery, by Erin Keever, ...might be good, Online arts magazine, 2006.
Wild and Bushy at Volitant Gallery, by Reza Shirazi, Cantaker.com, August 2006.
Beast, by Eleanor Williams, Finesilver Gallery, Houston, 2006
Artbuzz: Inside the Visual Arts, by Mrac Ormond, Sarasota Magazine, Summer, 2006
Diorama Drama: Installation of Religion, by Hiya Swanhuyser, SF Weekly, January, 2005
Detritus and a Hot Glue Gun: Exploring the Lo-Fi Art Aesthetic, by Jennifer Jankaskaus, Glasstire: Texas Visuar Art Online, 2005
The Dark Matters and the Lingering Lightness at Conduit Gallery, Charissa N. Terranova, Dallas Observer, September 30. 2004
Michael Velliquette: the ü in the i, Artpace San Antonio, Wendy Weil Atwell, Art Lies Magazine, Issue 43, Summer. 2004.
Artpace 04:1 2004,Catherine Walworth, Voices of Art Magazine, Volume 12, Issue 2. 2004.
Secret worlds at Artpace, Dan Goddard, San Antonio Express-News, Culturas, April 11, 2004.
Space maker, by Robert Ross, Dallas Voice, Life+Style Art, Volume 21, Issue 19, September 17, 2004
Night Shift, KABB-TV 29 (FOX), Joe Vithayathil report on Michael Velliquette, April 12, 2004
We Are Electric, Deitch Projects, Holland Cotter, The New York Times, Art Guide, Dec. 19, 2003
Dan R. Goddard (Apr 13, 2010)
"Fauerso explores the existential human condition in her cosmic figurative paintings, while Velliquette is making exquisitely detailed masks and totems using the child’s craft of colorful cut construction paper."
Sarah Fisch (Apr 28, 2010)
Exotic Matter, the breathtaking show at David Shelton Gallery, stays on his walls only until May 8. Go marvel at Joey Fauerso's sexually charged, rigorously investigative and (yes) beautiful paintings, which are all about surface. Well, and depth. And also nudity. And renderings of exploding plant life so lush you want to disrobe and roll around in them. Michael Velliquette takes paper-cutting past the ordinary "painstaking" or "elaborate" territory into, well, the exotic; they're relics from a culture you're not altogether familiar with, but always knew was out there somewhere. The show's been held over for two weeks, and Michael McClure Ph.D., assistant professor of Contemporary Art and Theory at the University of Wisconsin, Madison, saw fit to write an essay about it; we think it's worth driving north to see it.
Steve Bennett (Apr 18, 2010)
In addition to being a painter of substance and resonance, Joey Fauerso is an astonishing technician. It is work the trip out to Shelton's gallery just to see the dense black that Fauerso achieves in "Feel What it Feels Like"--in watercolor, a notoriously difficult medium.
Michael Velliquette's work is sort of like coming upon a new species of orchid or butterfly in the wild. In addition to being a painter of substance and resonance, Joey Fauerso is an astonishing technician. It is worth the trip out to Shelton's Stone Oak gallery just to see the dense black that Fauerso achieves in "Feel What It Feels Like" - in watercolor, a notoriously difficult medium.
Steve Bennett (Aug 16, 2009)
The inaugural "Multiples" show, featuring works in a wide range of media by some of the region's most accomplished and respected artists, is well worth the drive.
Scott Dickens (Aug 1, 2009)
Within Multiples, the aptly titled exhibition, the David Shelton Gallery has collaborated with several artists to create multiple works. The gesture seems to have been returned tenfold. Multiples delivers to the viewer a body of work united by craftsmanship, that delves into the distinctly modern while maintaining direct ties to the classical. As the viewer moves from one piece to the next, each body of work successfully adds to the exhibition a new dimension rooted in the individual artist's distinct sense of style. Shortly thereafter, this plethora of individuality proceeds to collide into an interesting, and well thought out exhibition.




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